“Seth material” search engine (Jane Roberts)

Your own experience with creativity should help you out here. When you paint a picture, my dear Joseph, you are dealing with a transformation of energy and transformation of camouflage pattern. There is a brief but vital moment when you are dealing with the underlying vitality of which I have spoken.

You are forced to transform this creative energy into another camouflage pattern because of your earthly situation. There is nothing else you can do. But for this moment, you pluck this vitality from the inner senses. Then you transform it into a somewhat different, more evocative, new camouflage pattern that is, nevertheless, more fluent, more fluid than the usual pattern, and gives greater freedom and mobility to the vitality itself. You approach a transmigration of plane.

Your scientists can count their elements, and while they are on the wrong track, they will discover more and more elements until they are ready to go out of their minds. And while they create instruments to deal with smaller and smaller particles, they will see smaller and smaller particles, seemingly without end. As their instruments reach further into the physical universe, they will see further and further, but they will automatically and unconsciously transform what they apparently see into the camouflage patterns with which they are familiar. They will be, and are, prisoners of their tools.

The trouble is that the instruments will be designed to catch certain camouflages, and they will perform their function. They themselves transform data from terms you cannot understand into terms that you can understand. This involves a watering down of data, a simplification that distorts the original information out of shape. The original is hardly discernible when they are done. You are destroying the meaning in the translation. … When you decipher one phenomena in terms of another, you always lose sight of whatever glimmer of understanding that may have reached you.

As I told you, mental enzymes transform vitality into the particular camouflage patterns. A chemical imbalance in a physical body will also show itself as a corresponding distortion of sensual data. That is, when the chemical balance is disturbed, the physical world will appear to have changed. For the individual involved, the camouflage actually has changed.

The outer senses deal mainly with camouflage patterns. The inner senses deal with realities beneath camouflage … and deliver inner information. These inner senses, therefore, are capable of seeing within the body, though the physical eyes cannot. As the senses of sight, sound and smell appear to reach outward, bringing data to the body from an outside observable camouflage pattern, so the inside senses seem to extend far inward, bringing inner reality data to the body. There is also a transforming process involved, much like the moment that we have spoken about in the creation of a painting.

The physical body is a camouflage pattern operating in a larger camouflage pattern. But the body and all camouflage patterns are also transformers of the vital inner stuff of the universe, enabling it to operate under new and various conditions.