“Seth material” search engine (Jane Roberts)

“Everything that she said was of a piece,” Rob told me later. “She sounded well-meaning, but not too bright. The impression that she was herself was definite … she didn’t seem anything like you. Her laugh was completely different … as was her way of using words. Her vocabulary was very limited, for example, and her voice had a petulant tone. The description of her death really struck me. It was so stark and undramatic that it really rang a bell. Not only that, but she still seemed bewildered by it herself.”

The sense of sight, mostly concentrated in your eyes, remains fixed in a permanent position in your physical body. Without moving away from the body, the eyes see something that may be far in the distance. In the same manner, the ears hear sounds that are distant from the body. In fact, the ears ordinarily hear sounds from outside the body more readily than sounds inside the body itself. Since the ears are connected to the body and part of it, it would be logical for an open-minded observer to suppose that the ears would be well attuned to the inner sounds to a high degree. This, you know, is not the case.

The ears can be trained to some degree into a sound-awareness pertaining to the body itself. And breathing, for example, can be magnified to an almost frightening degree when one concentrates upon listening to his own breath. But, as a rule, the ears neither listen to nor hear the inner sounds of the body.

The outer senses deal mainly with camouflage patterns. The inner senses deal with realities beneath camouflage … and deliver inner information. These inner senses, therefore, are capable of seeing within the body, though the physical eyes cannot. As the senses of sight, sound and smell appear to reach outward, bringing data to the body from an outside observable camouflage pattern, so the inside senses seem to extend far inward, bringing inner reality data to the body. There is also a transforming process involved, much like the moment that we have spoken about in the creation of a painting.

I want to give you more detailed information about inner realities themselves. Actually, they do not parallel the outer senses; and this will sound appalling to you, I’m afraid, simply because there is nothing to be seen, heard or touched in the manner in which you are accustomed. I don’t want to give you the idea that existence without your camouflage patterns is bland and innocuous because this is not the case. The inner senses have a strong immediacy, a delicious intensity that your outer senses lack. There is no lapse of time in perception, since there is no time.