“Seth material” search engine (Jane Roberts)

Supposedly it was here where she met her husband, who was a foreman in the plant. He died in 1962 in Marlboro, England. He was not English himself but was visiting relatives there. While her husband worked in the factory, he also owned a farm outside of Decatur, and after marriage the couple moved there. The ground was poor, and Malba mentioned the place several times in a rather derogatory way.

Effects would seem to be evidence. … In concrete terms, if a tree branch moves, then you take it for granted that something blows it. You know wind by its effects. No one has seen wind, but since its effects are so observable, it would be idiocy to say that it did not exist. Therefore, you will come up against the basic stuff of the universe and feel its effects, though your physical senses will not necessarily perceive it.

It is not a matter of inventing new instruments any longer, but of using the ‘invisible’ ones you have. These may be known and examined. This material itself is evidence. It is like the branch that moves, so that you know the wind by its effects; and a windbag like me by the billowing gale of my monologues.

You might say that the brain is the mind in camouflage. Imagination belongs to the mind, not the brain. Instruments may be used to force imagination to move along in terms of its owner’s personal memories, but it cannot be forced to move along the lines of conceptual thoughts because the imagination is a connective between the physical individual and the nonphysical entity.

The sense of sight, mostly concentrated in your eyes, remains fixed in a permanent position in your physical body. Without moving away from the body, the eyes see something that may be far in the distance. In the same manner, the ears hear sounds that are distant from the body. In fact, the ears ordinarily hear sounds from outside the body more readily than sounds inside the body itself. Since the ears are connected to the body and part of it, it would be logical for an open-minded observer to suppose that the ears would be well attuned to the inner sounds to a high degree. This, you know, is not the case.