“Seth material” search engine (Jane Roberts)

I wrote four more poems of varying merit about that one event and behind the whole affair was defiant recognition of the value of any consciousness, whatever its form. And the deeper question: Why was it ever annihilated, at least in our terms? Why was life constructed to be destroyed? I knew, even then, that I had to find my own answers — that each of us does. And yet at that point, I felt duty-bound to question my own experiences, Seth and the sessions because I refused to hide in self-delusions.

Joseph was correct when he spoke of entities creating stages upon which to act out their problems. The point is that once the play begins, the actors are so completely engrossed in their roles that they forget that they themselves wrote the play, constructed the sets or are even acting.

I’m not worried that I’m going to disturb the balance. Far from it. The fact is that the realization can, and often does, come after the play is well under way, and at this point, the camouflage action is so involved that the realization itself appears in the framework of the camouflage and is often indistinguishable from it. …