“Seth material” search engine (Jane Roberts)

If there’s anything I like to see
It’s a bunch of pudgy God-fearing grown men at it again,
Shooting down the starlings.
I mean, crazy man. Go, go, go.
Why not have a band play and give balloons away?
There’s nothing like killing birds
To clean up the business section.
We could feature a Starling Day, for our centennial celebration,
Such elation as the city fathers
And other pot-bellied elders
Did their best to keep the city clean.
We could give ice cream away to the kids who killed the most,
The hosts of observers could yell the cheer:
“Oh, it takes such courage and it takes such brawn
To drop the blackbirds on the County House lawn.”

Joseph was correct when he spoke of entities creating stages upon which to act out their problems. The point is that once the play begins, the actors are so completely engrossed in their roles that they forget that they themselves wrote the play, constructed the sets or are even acting.

I’m not worried that I’m going to disturb the balance. Far from it. The fact is that the realization can, and often does, come after the play is well under way, and at this point, the camouflage action is so involved that the realization itself appears in the framework of the camouflage and is often indistinguishable from it. …