“Seth material” search engine (Jane Roberts)

I wrote four more poems of varying merit about that one event and behind the whole affair was defiant recognition of the value of any consciousness, whatever its form. And the deeper question: Why was it ever annihilated, at least in our terms? Why was life constructed to be destroyed? I knew, even then, that I had to find my own answers — that each of us does. And yet at that point, I felt duty-bound to question my own experiences, Seth and the sessions because I refused to hide in self-delusions.

The inner senses operate on all planes and under all circumstances. The outer senses vary according to plane and circumstance. The outer senses are dependable only in terms of the definite system of reality for which they were constructed. Their purpose, of course, is to enable the conscious personality to recognize as valid, camouflage patterns that are only valid under certain conditions. …

Joseph was correct when he spoke of entities creating stages upon which to act out their problems. The point is that once the play begins, the actors are so completely engrossed in their roles that they forget that they themselves wrote the play, constructed the sets or are even acting.

The reason is rather apparent: If you know that a situation is ‘imaginary,’ you are not going to come to grips with it. This way, you have your actors taking the situation as it seems to be but looking about in amazement now and then to wonder how they got where they are, who constructed the sets and so forth. They do not realize that the whole thing is self-created, nor should they in the main, since the urgency to solve problems would dissolve.

“Well, I know I was out of my body. That’s what counts as far as I’m concerned,” I said. “In that ‘Idea Construction’ thing I didn’t seem to have a body — I seemed to just be my consciousness. So I never made any connection at first between the two experiences. …