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SDPC Part Two: Chapter 11 17/80 (21%) Cunningham Miss starlings killing Rah
– Seth, Dreams and Projections of Consciousness
– © 2011 Laurel Davies-Butts
– Part Two: Introduction to the Interior Universe
– Chapter 11: Seth Keeps Track of Miss Cunningham — So Do I — An Out-of-Body Experience

[... 1 paragraph ...]

A few nights following Miss Cunningham’s hospitalization, we went to visit her. We had never been inside the hospital before. As we went inside, I stopped dead. There in front of me was the lobby I had seen in my July dream — complete with the glassed-in gift area. I told Rob on our way to Miss Cunningham’s room.

[... 2 paragraphs ...]

Our living room seemed twice as cozy that evening, with the warm lights and Willie sleeping on the rug. But I said to Rob, “Look, Miss Cunningham was as rational and bright as either of us not too long ago. What happened? How do we know it won’t happen to us?” And the comfortable room suddenly seemed a facade. In years to come, where would we be? What difference could it make that we ever sat in this room, or had sessions, or moved furniture, or stroked the cat? So I didn’t feel like going into a trance.

[... 6 paragraphs ...]

“Where does Frank Withers fit in here?” Rob asked.

[... 2 paragraphs ...]

All kinds of questions came into Rob’s mind. When Seth paused for a moment, he asked, “You said once that the shock of birth was worse than the shock of death. Why?”

[... 1 paragraph ...]

“Will she be … fully materialized on another plane before she dies in this one?” Rob asked. It was difficult for him to ask questions and take notes at the same time, but if possible, he wanted the questions answered before he forgot them.

[... 1 paragraph ...]

“It’s a nice thought,” I said later to Rob. “I mean, that Miss Cunningham just leaves this old body of hers behind and appears someplace else as a young girl.”

“But you don’t think it’s true?” Rob asked.

[... 15 paragraphs ...]

I’d identified all life with the birds, of course. Miss Cunningham, Rob, me and all the people that we knew were surely getting shot down; falling through time, we were dying in a descent that we couldn’t understand or control. Either that, or Seth and the material — still so strange to me — were giving answers that I refused, so far, to accept in practical terms.

[... 6 paragraphs ...]

Rob was all ready to ask, “Well, how come you’re letting us in on the secret?” But he never had a chance to ask the question.

[... 1 paragraph ...]

Remembering how upset I had been about the death of the starlings, Rob asked, “Could you say something about the birds that were killed at the gallery?”

[... 2 paragraphs ...]

“All right. Could you say anything about Miss Cunningham’s condition?” Rob asked.

[... 4 paragraphs ...]

During these springtime sessions, my voice began to deepen considerably. At times it was startlingly vibrant and powerful, with the masculine tones quite noticeable. Rob was convinced that it contained an additional energy, rather impossible for my own vocal chords — the resonance in particular.

One night Rob asked Seth about it, and Seth said,

[... 2 paragraphs ...]

Both of us had been wondering about the crisis Seth had mentioned for Miss Cunningham on April 15. As it happened a regular session night fell on that date, and, having heard nothing, Rob asked Seth if there had been any distortion in the message.

[... 15 paragraphs ...]

All kinds of thoughts flooded to my mind. Consciousness was independent of the body — Seth was right — and if that was true, then there was no reason why he couldn’t be what he said he was: an independent personality, out of the flesh. But why hadn’t I caught on sooner? And why hadn’t I run up to see if the house mailbox had a name on it? I couldn’t wait till Rob came home so I could tell him what happened.

[... 1 paragraph ...]

“You should call Sam and ask him where he was when you saw him,” Rob said.

[... 1 paragraph ...]

“The impetus must have been your desire to ask Sam about Miss Cunningham,” Rob said.

[... 2 paragraphs ...]

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