“Seth material” search engine (Jane Roberts)

So Do I
An Out-of-Body Experience

Our living room seemed twice as cozy that evening, with the warm lights and Willie sleeping on the rug. But I said to Rob, “Look, Miss Cunningham was as rational and bright as either of us not too long ago. What happened? How do we know it won’t happen to us?” And the comfortable room suddenly seemed a facade. In years to come, where would we be? What difference could it make that we ever sat in this room, or had sessions, or moved furniture, or stroked the cat? So I didn’t feel like going into a trance.

“Do unto others, I tell you.”
He wanted to say more
But they carted him off.
The good people laughed.
On the ground was a puddle
Of the idiot’s tears.

The reason is rather apparent: If you know that a situation is ‘imaginary,’ you are not going to come to grips with it. This way, you have your actors taking the situation as it seems to be but looking about in amazement now and then to wonder how they got where they are, who constructed the sets and so forth. They do not realize that the whole thing is self-created, nor should they in the main, since the urgency to solve problems would dissolve.

It is not my voice, but a representation or approximation of it. Furthermore, in your terms, I do not have a voice. …