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SDPC Part Two: Chapter 10 10/122 (8%) Mark Rob furniture arrangements bookcases
– Seth, Dreams and Projections of Consciousness
– © 2011 Laurel Davies-Butts
– Part Two: Introduction to the Interior Universe
– Chapter 10: Seth Meets an Old Friend in Our Living Room — The Dream Universe

[... 36 paragraphs ...]

But that night, Mark insisted that Seth had read his mind and listened spellbound as Seth told him about the inner senses. None of us suspected that Seth would give Mark detailed information about the inner organization for which he worked, or help him understand personal problems, or delight in telling him what had gone on at sales conferences that Mark had already attended — or with a great rush of humor tell him the exact amount of a new raise he had just been given. All of that was in the future.

[... 9 paragraphs ...]

I did a lot of thinking in the next few days. As I worked at the gallery or at my book or did my house chores, the last session kept coming to mind. If Seth had read Mark’s mind, this was an excellent progression. If not, then Mark had deceived himself, and Seth had gone along and taken advantage of the deception. And if Seth was a personification of my subconscious, then this would be an excellent example of subconscious fraud.

[... 25 paragraphs ...]

Ruburt’s “Idea Construction” let me know that we could work together. Neither of you are empty channels to be filled, willy-nilly by my communications.

[... 3 paragraphs ...]

Then, toward the end of the session, Seth made a suggestion about our living quarters. Our living room is very large — opens from the apartment house hallway and runs down to three large bay windows at the other end. I always worked at my table in front of the windows. Seth suggested that we shield the door to the hallway with a room divider.

[... 2 paragraphs ...]

Arrangements you can think of that will satisfy some of these needs are worth it. If Ruburt had his way, something would shield you both from the door, also, when you are eating. He does not like to eat in view of others. (As when someone comes to the door at mealtime.) Any corner working place pleases him because it provides for the collection of psychic energy and serves as protection.

[... 1 paragraph ...]

Your own working room should not be disturbedthat is, you should continue to have it. This is very important for you. Ruburt will benefit from the same kind of arrangement whenever it is possible, but he will get along well in the large room with the suggestions offered.

[... 1 paragraph ...]

A barricade in front of the door is not necessary. Afterwards, as we sat discussing the suggestions, he said, I do not want Ruburt’s energies soaked up in trying to fight these needs. We need all of your energies for our workand for your own. Later you will learn to use these energies well and to draw energy from the basic vitality of the universe.

[... 6 paragraphs ...]

The letter upset me considerably, yet it also objectified some of my own doubts. They were out in the air where I could at least deal with them. As far as we could tell, for all of my stewing and hemming and hawing, there were no alarming changes in my personality. I was doing twice the creative work I had done earlier. I was satisfied with the quality of the Seth Material; it was far superior to anything I could do on my own. If nothing else, I thought the sessions presented a way of making deeply unconscious knowledge available on a consistent basis.

[... 4 paragraphs ...]

Also, Ruburt has experienced and used dissociation in his work, though to a lesser degree, before our communications and knows how to handle itOur relationship will enable you both to deal more adequately with the outside world. … The development of the inner senses will not blot out physical reality but allow you to see it more clearly for what it is, and, therefore, you will be able to manipulate camouflage patterns better. …

[... 21 paragraphs ...]

I had to grin. “I’ve always moved furniture, even as a kid,” I said. “I used to move from a side bedroom to a front one whenever the mood hit me. The front room was my work-mood room, with all my poetry books predominating and no curtains, very spare. The other room was my play-it-safe-be-like-everybody-else-mood-curtains and conventional paraphernalia.”

[... 3 paragraphs ...]

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