“Seth material” search engine (Jane Roberts)

6. Space as a barrier does not exist.

Nor do such projections necessarily involve journeys through space as you know it. There are systems, vivid in intensity, that have no existence in physical reality at all. It is now thought, I believe, that time and space are basically one, but they are both a part of something else. They are merely the camouflage patterns by which you perceive reality. Space as you perceive it in the dream state comes much closer to the reality.

Projections within your own system will, of course, involve you with some kind of camouflage. If none is present, you will know you are out of the system. The dream universe is obviously closely connected with your own, since pseudo-objects are present. Even there, you are to some extent free from the space-time elements of your own system. Within the dream state, then, you are in the ‘outward’ areas of the physically oriented universe.

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.

True motion has nothing to do with space. The only real motion is that of the traveling consciousness.