“Seth material” search engine (Jane Roberts)

In physical experience, you are dealing with an environment with which you are familiar. You have completely forgotten the chaos and unpredictable nature it presented before learning processes were channeled into its specific directions. You learned to perceive reality in a highly specified fashion. When you are dealing with inner, or basically non-physical realities, you must learn to become unspecialized and then learn a new set of principles. You will soon learn to trust your perceptions, whether or not the experiences seem to make logical sense.

The unity, you see, is different. Basically, perception of the spacious present is naturally available. It is your nervous physical mechanism which acts as a limiting device. By acting in this manner it forces you to focus upon what you can perceive with greater intensity.

The organization however is, biologically speaking, artificial and learned. It is no less rigid for that reason. This organizational structure of perception can be broken up, as recent LSD experiments certainly show. This can be dangerous, however. The fact that this does occur shows that the systems of perception are not a part of over-all structure biologically, but learned secondary responses. It is disturbing to the whole organism, however, to break up the strong pattern of usual perception. Inner stability of response is suddenly swept away. Changes that are not yet known occur within the nervous system under these circumstances, both electromagnetic and chemical.

The practice of psychological time will allow you to reach these portions of the self. The ego is not artifically disorganized by such practice. It is simply bypassed for the moment. The experience gained does become a part of the physical structure, but there is no massive disorganization of perception, since the ego agrees to step aside momentarily.

It is not bombarded, as with the drug experiments, and forced to experience chaotic and frightening perceptions that can terrify it into complete disorder. Survival in your system is dependent upon the highly specialized, focused, limited but specific qualities of the ego. It should not be rigid. Neither should it be purposely weakened.

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.

Cautiousness and wonder made me pause. For one thing, the air inside the room was normal. For another, I felt as if I was observing a legitimate glimpse of air from the framework of a different kind of perception. Was this in some way air slowed down? And if so, was my “body” in the same state? Was this what air was really like and was it perceived this way by certain kinds of consciousness or at particular stages of molecular activity? All of these thoughts went through my mind, but before I could figure out what other experiments I could try, I snapped back to my body.

That experience is far more vivid than anything else that happened to me that day or during that entire month so far. It will be remembered long after I forget what else I did that day. It does no good to call such episodes hallucinations. They are, above all, valid psychological events. They enrich normal experience, broaden the usual restrictions of daily perception and encourage creative thought. The same applies to all of the dreams and projections mentioned in this book. These dimensions of experience and consciousness co-exist with normal reality as we know it, and I believe that in them we exercise abilities that are ours by right and heritage.