1 result for (book:sdpc AND heading:"part three chapter 22" AND stemmed:paint)

SDPC Part Three: Chapter 22 3/86 (3%) assumptions root air pseudo tangerine
– Seth, Dreams and Projections of Consciousness
– © 2011 Laurel Davies-Butts
– Part Three: Exploration of the Interior Universe — Investigation of Dream Reality
– Chapter 22: The Inside of Consciousness — More Projection Instructions — Projections as Strange Sense Experiences

[... 55 paragraphs ...]

“Rob, I had the wildest experience, but unfortunately I’m back now because all that great color is gone,” I said; and I told him what happened. As I finished speaking, something caught my eye — the wallpaper. While it was not as colorful as it had been earlier, neither was it the white painted wall that should have been there.

[... 17 paragraphs ...]

However, it is possible to travel under such circumstances, and some of the data would be retained by inner portions of the self. In a creative individual, some of this information might be symbolically expressed in a painting or other work of art.

[... 1 paragraph ...]

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.

[... 9 paragraphs ...]

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