“Seth material” search engine (Jane Roberts)

Objects may appear and disappear in these other systems. Using the root assumptions just mentioned as a basis for judging reality, an observer would insist that the objects were not real, for they do not behave as he believes objects must. Because dream images may appear and disappear, then, do not take it for granted that they do not really exist.

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.

Cautiousness and wonder made me pause. For one thing, the air inside the room was normal. For another, I felt as if I was observing a legitimate glimpse of air from the framework of a different kind of perception. Was this in some way air slowed down? And if so, was my “body” in the same state? Was this what air was really like and was it perceived this way by certain kinds of consciousness or at particular stages of molecular activity? All of these thoughts went through my mind, but before I could figure out what other experiments I could try, I snapped back to my body.