“Seth material” search engine (Jane Roberts)

There is constant translation of inner reality into objects in the waking state and a constant translation of ideas into pseudo-objects in the dream state. Within a certain range of dream reality, ideas and thoughts can be translated into pseudo-objects and transported. This is what happens when you adopt a pseudo-form in projection, though I am simplifying this considerably.

If a certain intensity is reached, however — a peak of intensity — then you could perceive the spacious present as it exists within your native system. You could, from this peak, look into other systems, but you would not understand what you perceived, not having the proper root assumptions. I have used the idea of neighboring systems for simplicity’s sake, as if they were laid out end to end. Obviously, such is not the case. The systems [of reality] are more like the various segments of a tangerine, with the uncamouflaged boundary areas like the white membrane between the tangerine sections.

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.

The experience was so intriguing that I thought of it often in the days following. That Sunday as we were out driving, the idea suddenly struck me that there might be a force coming up from the earth, in opposition to gravity. The two could be part of one phenomena, of course. It could account for the fact that seeds do push up through the earth, not only attracted by the sun but nudged by this force beneath.