“Seth material” search engine (Jane Roberts)

If another individual under the same circumstances comes across the same ‘potential’ object, he can also perceive it as you did. He may, however, because of his own make-up, perceive and translate another portion of allied pattern. He may see the form of the man who originated the thought of the building.

“You’re normally awake,” Rob said. “The plant is ours. You just forgot about it.” So I accepted his statement and never even wondered that he might be a thought-form of mine.

One point: There are other systems all about and within your own. The undifferentiated areas move out like spirals, through all reality. Little resistence is encountered within them. They represent inner roads that connect systems, as well as divide them. The traveler must leave his own camouflage paraphernalia behind him, however, or he will get nowhere.

It is possible, theoretically, to travel to any system in this manner and bypass others, you see. Such a traveler would not age physically. His body would be in a suspended state. Only a very few individuals have traveled in this manner. Most of the knowledge gained escapes the ego, and the experiences cannot be translated by the physical brain.

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.