“Seth material” search engine (Jane Roberts)

Here, rely on common sense. If you find a girl in a bathing suit standing on a wintery street, for example, one or the other has to go. If the girl is the main incongruous element, and the rest all fits in, then will the girl to disappear. Keep this up with any other such images that you meet. Again, you’ll be left with the basic environment and can proceed as you want. You can accept such images and play around with them or watch them to see what develops, but only if you realize they are hallucinations. There are exceptions to this practice, however, as the next Seth excerpt shows.

Elements from past, present and future may be indiscriminately available to you. You may be convinced that a given episode is the result of subconscious fabrication, simply because the time sequence is not maintained, and this could be a fine error. In a given dream projection, for example, you may experience an event that is obviously from the physical past, yet within it there may be elements that do not fit. In an old-fashioned room of the 1700’s, you may look out and see an automobile pass by. Obviously, you think: distortion. Yet you may be straddling time in such an instance, perceiving, say, the room as it was in the 1700’s and the street as it appears in your present. These elements may appear side by side. The car may suddenly disappear before your eyes, to be replaced by an animal or the whole street may turn into a field.

‘This is how dreams work,’ you may think. ‘This cannot be a legitimate projection.’ Yet you may be perceiving the street and the field that existed ‘before’ it, and the images may be transposed one upon the other. If you try to judge such an experience with physical root assumptions, it will be meaningless. As mentioned earlier, you may also perceive a building that will never exist in physical reality. This does not mean that the form is illusion. You are simply in a position where you can pick up and translate the energy pattern before you.