“Seth material” search engine (Jane Roberts)

Objects may appear and disappear in these other systems. Using the root assumptions just mentioned as a basis for judging reality, an observer would insist that the objects were not real, for they do not behave as he believes objects must. Because dream images may appear and disappear, then, do not take it for granted that they do not really exist.

If another individual under the same circumstances comes across the same ‘potential’ object, he can also perceive it as you did. He may, however, because of his own make-up, perceive and translate another portion of allied pattern. He may see the form of the man who originated the thought of the building.

I fell asleep and dreamed that Rob had just come home and had begun to redecorate the room. Though I was surprised to see him, I accepted without question the fact that he was home early and did not realize I was dreaming at this point. Instead, I found the room transformed with spectacular color such as I’d never seen before — brilliant, shimmering, alive and richer than I ever imagined color could be. Everything in the room took on this fantastic other-color life. I felt myself drink it up, absorb it, in a way that’s most difficult to explain. The white walls were replaced by intricate colored wallpaper and drapes of velvet. The colors seemed to have a natural life themselves, glowing from within, throbbing with vitality.

“You’re normally awake,” Rob said. “The plant is ours. You just forgot about it.” So I accepted his statement and never even wondered that he might be a thought-form of mine.

One point: There are other systems all about and within your own. The undifferentiated areas move out like spirals, through all reality. Little resistence is encountered within them. They represent inner roads that connect systems, as well as divide them. The traveler must leave his own camouflage paraphernalia behind him, however, or he will get nowhere.

Each brushstroke of a painting represents concentrated experience and compressed perceptions. In a good painting, these almost explode when perceived by the lively consciousness of another. The observer is washed over by intensities. The excellent work of art recreates for the observer inner experience of his own, also, of which he has never been aware. As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.