1 result for (book:sdpc AND heading:"part three chapter 21" AND stemmed:studi)
[... 32 paragraphs ...]
Experimentation requires constant vigilance and continual checking. The following experience of mine shows some of the issues involved, and can give some of you some hints as to how to proceed. I usually speed out of my body and away from this location very quickly. Left to myself, this seems to be my characteristic method. But this allows no walking around the room, no chance to study the actual departure with any clearness; it happens too quickly. So, many of my experiments include the attempt to leave my body slowly so I can study my behavior.
[... 5 paragraphs ...]
By now, I was standing with my back to my body, and I just ‘fell’ backward into it. I got out again fairly quickly, this time able to study the strange sensing involved in distinguishing between the astral self I wanted to sit up and the physical self I wanted to stay flat. I walked out to the center of the room which now was perfectly normal, but had difficulty walking and remembered that in my case, at least, this sometimes happens when I’m close to my body. I decided to go to Rob’s studio, where he was working, to see if I could make him observe me.
[... 32 paragraphs ...]
For your own purposes, an unfinished painting on your easel would help you project to the studio, for you would wish to study it. You have often done this, without remembering. It would be to your advantage if the two of you traveled together, however. You could help each other retain proper consciousness and purpose during projection. If Ruburt is projecting, he should try to rouse you astrally.
[... 8 paragraphs ...]