“Seth material” search engine (Jane Roberts)

As we were going to bed, I began to feel a tremendous energy in the room. I tried not to be frightened and told myself that the intuitive self sensed something exciting going on, even if the ego was worried. I closed my eyes and the energy became stronger. Then I fell asleep and ‘woke up’ to find myself projecting in the dark-yet-not-dark of many projections. Seth stood in the doorway, looking as he does in Rob’s painting of him. He was short, rather stout, dressed in light shirt and pants. I realized that he took this form because it is reassuring to me.

By now, I was standing with my back to my body, and I just ‘fell’ backward into it. I got out again fairly quickly, this time able to study the strange sensing involved in distinguishing between the astral self I wanted to sit up and the physical self I wanted to stay flat. I walked out to the center of the room which now was perfectly normal, but had difficulty walking and remembered that in my case, at least, this sometimes happens when I’m close to my body. I decided to go to Rob’s studio, where he was working, to see if I could make him observe me.

Ruburt was writing earlier in the morning, and, without realizing it, he was telepathically aware of your emotional presence. It was this that gave him the idea of a projection experiment. He wanted to see if he could become more aware of your form. You did not want to project per se, necessarily. You wanted to be here to offer comfort. The desire got you here. Your conscious mind was fully taken up with your activities at the art department, giving the inner self full rein.