1 result for (book:sdpc AND heading:"part three chapter 20" AND stemmed:one)
[... 2 paragraphs ...]
By then, of course, Rob and I felt a strong commitment to the sessions. Now we feel that we have a twice-weekly appointment with the universe, and certainly this attitude developed during those projection sessions when we tried during the day to follow the instructions given by Seth. Sessions were held in the bedroom then. Now we hold them in Rob’s back studio. Both rooms are to the rear of the apartment and more private than the living room. So even space-wise, there seems to be a connection between those earlier sessions and the present ones in which Seth is dictating his own book.
[... 7 paragraphs ...]
It may be that the frog could have learned more by exploring his own frogness, and, certainly, I felt rather superior to the frog and the nature of his search — that’s implied in the poem. Now it seems to me that any lively exploration into reality should lead to exuberence and greater understanding, not sadness and alienation. And I don’t believe that our world, like the watch, is simply a discard from another greater reality, though certainly it is a part of one.
[... 7 paragraphs ...]
You may, then, encounter images that are subconsciously formed, quite valid images that belong in another dimension; or constructions created by others in other systems. For any control at all, you must learn to distinguish one from the other. Again, if you meet a disturbing image, you must first will it to disappear. If it is a subconscious construction of your own, it will vanish. But if you do not will it to disappear or realize its nature, then you must deal with it.
I have told you that the form in which you are traveling can be a tipoff to you. If your levitation experience seems to carry you outside of the solar system, then you know that you are in the third form and that your abilities for the time are almost limitless, comparatively speaking. Any image you see here must be accepted. It does no good to call these forms hallucinations, for they are no more hallucinations than the chair in which my friend Ruburt now sits. Ruburt told one of your friends to respect physical reality. ‘Whether or not the automobile is a sensory hallucination, it can kill you,’ he said. And I tell you that whether or not these projection images are hallucinations, they can be dangerous and you must respect the reality in which they exist. I want to be sure that you realize that some of these constructions will belong to other systems. You are safe as long as you do not meddle. You may explore, and freely, and that is all.
[... 9 paragraphs ...]
All through this period I was trying to train myself to come “awake” while asleep. It serves no purpose to include all of the many dreams of this nature that I recorded — dreams in which I managed to regain my critical senses, sometimes only to fall back into normal dreaming and sometimes to embark upon conscious experiments. But one experience in particular was very vivid and informative. Excerpts from the following session will show you what I was trying to do.
[... 6 paragraphs ...]
Almost all of your dream experiences do involve projection of one kind or another. These vary in intensity, type and even duration as any other experiences vary. It takes a good deal of training and competence to operate with any real effectiveness within these situations.
[... 3 paragraphs ...]
Perhaps this diffused quality is the most important difference (from your point of view) between an apparition and a physical form. There is an atomic structure, but in some ways it is less complete than the physical one. There is always a minute difference in the body’s weight when the individual is projecting.
[... 1 paragraph ...]
Dream One: I was in a beautiful landscape. There were two huge swings, the playground type, whose ropes reached straight up into the sky. Two boys arrived. They got on the swings, swinging way out over the hillside, over the lower land beneath, back and forth over the land for miles. Then a woman appeared and we began to talk. I told her that the swings fascinated me, but scared me also, because they were so high. Her automobile was parked nearby, and it suddenly occurred to me that I had no idea how I came to this place — which was in Ohio, I knew. This should have been a clue to me that I was dreaming, but instead I explained rapidly that I am an excellent hiker. Finally I got on one of the swings, swinging back and forth over the length of the hilltop, rather than over the edge of the land beneath.
[... 1 paragraph ...]
False Awakening or Awake-Seeming Dream: Now I had a false awakening. In the back of my mind all night was the resolution to make sure I recorded my dreams. Here, I was sure I was awake. I wrote the dreams down in my notebook which was on the bedside table, and then, to make sure, I awakened Rob and told him the dreams also. Rob pointed out that the first dream and one of the others were definitely related. Again, I was positive I was awake.
[... 4 paragraphs ...]
I stood there a moment, wondering how she got in, and decided that I must have left the door unlocked. But how to get her back to her own apartment, I wondered? I completely forgot that she had moved. Now I stood by the bathroom door. She came closer, muttering under her breath, and for a moment the two of us were clearly delineated by the streetlight. Our eyes met. Instantly I realized that I was out of my body, and so was she. Miss C. gave a deep, frightened gasp and disappeared. Instantly, I opened my eyes to find myself in bed, body and all. I was as bewildered as I’ve ever been. Only one split second ago I’d been in the living room.
Quickly I got up and rushed out to the other room. No one was there. It was 12:30 P.M. I sat down and wrote down the experience and the earlier dreams. As I wrote, I heard dim music. It was coming from the apartment upstairs, and it was exactly the same kind I’d heard earlier. With some excitement I went back to the bedroom. It was quiet and still there. The music could only be heard where I’d met Miss Cunningham.
[... 4 paragraphs ...]
You must want to do this, however. Often, you do not want to see the body by itself, so to speak, and so choose methods that make this more difficult. Just this one exercise will sharpen your control greatly. It is an ABC. This experience is also less startling to the ego than a more abrupt projection, and the ordinary nature of the activities — walking into the next room, for example — will be reassuring. You are more calm in your own surroundings. Of course, Ruburt was out of his body when he saw Miss Cunningham, who was in the same condition.
[... 2 paragraphs ...]
As I mentioned in The Seth Material, my waking projections and the spontaneous ones in the Seth trance yielded enough evidence to convince us that I was legitimately out of my body and perceiving another location — and not just out of my mind. It is far more difficult to get objective proof for dream projections, yet the subjective proof is quite definite. The task of trying to maintain specific states of consciousness is enough work and effort to convince anyone having the experience that far more than simple dreaming or imagination is involved.
And some of these dream projections did yield evidence that was convincing to me. One night while experimenting in the dream state, for example, I found myself standing in a room about the size of our bedroom, but it was obviously being used as a closet. A single bulb hung from the ceiling. The walls were wood-paneled, in beautiful condition, and shelves were built along two sides. These were filled with boxes of various sizes, and jars of things like lotions and shoe polish. Clothing was hung on hangers by wall brackets all about. Everything was very vivid. What a waste of a great room, I thought. Then I saw that the room had no windows at all. I knew I was in someone’s house, and that my body was in bed. But where was I? Suddenly, I knew that the house belonged to Bill and Beverly Gray, previous tenants in our apartment house. They had moved to a house about a year previously, and I hadn’t seen them since.
[... 2 paragraphs ...]
Just lately the same sort of thing happened. Sometime during the night I “awakened” to find myself standing in a bathroom. In this brief but clear moment of critical consciousness, I saw a linen cabinet, open. On the shelf directly in front of me was a stack of towels, all more or less the same size, as if they were of a set. I could see only the front edges, of course, except for the top. They were blue-purple, and the top one had a flower in the center. I could see what was in front of me clearly, but something blocked my vision to the right. I tried to observe what I could, quickly. At first, nothing told me whose house this was, so I asked mentally, and got the words, “Tom’s, one of your students.”
Again, the next thing I knew it was morning. I wrote down what I remembered. The trouble was, I have two students named Tom. When I mentioned this in class, one had no idea of what kind of towels were in the bathroom. The other said my description seemed to apply to those in his bathroom linen closet. It wasn’t until several weeks later, however, that Rob and I visited Tom Height. “Come on, check out the bathroom,” he said, as everyone laughed. But the minute I entered, I saw it was the room I’d been in. The closet was right inside the door, and a jut in the wall blocked vision of the rest of the room. The cabinet and towels were identical.
[... 4 paragraphs ...]
This same chemical reaction must also occur, only more strongly, before a legitimate projection can occur. This is one of the main reasons why deliberate projections are not more numerous. Usually the chemical access is used in normal dreaming. In periods of exuberant energy and well being, a more than normal excess accumulates. This can trigger a projection. In periods of momentary indisposition, however, the dreaming process may be blocked and the chemical excess accumulated. Again, a good time to try projection.
[... 1 paragraph ...]
Released they must be, or the organism would not survive. Periods of intense activity may also generate this additional chemical propellant. Although this is generated through activity, it is released, making projections possible, in alternating periods of quietude and rest. There must be a disciplined focus, therefore, of this propellant. Periods of heightened sexual activity of a strong and deep nature will help. Periods of no sexual activity will also help, however. On the one hand, the chemical excess is built up as a result of great intensity, and in the latter case it is built up because psychic and sexual release has not been granted.
[... 1 paragraph ...]
I still suggest a more thorough examination of your dreams for many of them contain spontaneous projections. They are most apt to occur in the early hours, between 3:00 and 5:00 A.M. The body temperature drops at such times. Five in the afternoon is also beneficial from this standpoint. The drinking of pure water also facilitates projection, although for obvious reasons, the bladder should be empty. The north-south position is extremely important, and, indeed, is a necessity for any efficient dream recall. … Energy is most easily utilized in this position for one thing, and this cuts unnecessary restructions to a minimum.
[... 2 paragraphs ...]
An almost automatic determination must be established, however, if conscious projections are to be anything but rare oddities. With the both of you, the problem is somewhat different than it might be with some others. These chemical excesses are used up, for one things, in your own creative work. You do this automatically. It goes without saying that your own work will gain immeasurably through the extended experience of projection. The yoga exercises allow you to draw an abundance — indeed, a super-abundance — of energy. This energy results, also, in chemical excesses that can be utilized in projections, without drawing energy away from your other work.
[... 8 paragraphs ...]