1 result for (book:sdpc AND heading:"part three chapter 19" AND stemmed:he)
[... 15 paragraphs ...]
There are, indeed, others who can help you in such experiences, and they can be of great assistance as guides. You will find projections much easier if your head is to the north. One small point here. Ruburt’s waking projection upon first reading the Fox book was also legitimate, as he should know.
[... 3 paragraphs ...]
The actual physical window was behind his head. He felt impelled to have a window in front of him in order to get out of the physical house, and the window through which he went was a fabrication of his own, a symbol. I found this amusing. He did not have the confidence, you see, to see himself passing through the physical walls, as he did in fact. Instead, he formed the imaginary window and projected through it.
[... 3 paragraphs ...]
Everything was very new to us then, though. I was more than satisfied with the experience, scare or no; and Rob was envious, telling me that he wouldn’t have panicked under the same conditions. As it happened, he spoke too soon.
One weekend afternoon, Rob was napping, and I was doing the dishes. He fell asleep and “awakened” to find himself hovering about three feet out in the air outside his studio window, between the house and the large pear tree that shades the room. For a moment he just couldn’t understand what was happening. He knew that physically such a position was impossible, and he held his breath, waiting for the inevitable fall.
But nothing happened. He just hung there. Suddenly he realized that he was out of his body and didn’t know what to do next. He yelled out for me, but I was in my physical body, humming merrily out in the kitchen, and I never heard a thing. Desperately, Rob wished for some support, and quite spontaneously he created a child’s scooter that appeared beneath him. He could see the yard and garage clearly but the image of a grown-up man on a scooter up two stories from the ground was just too much — he snapped back to his body.
[... 20 paragraphs ...]
I left the room almost at once and appeared in a house supposedly owned by friends, Jack and Lydia. This was not their normal house in daily life, though, and I was aware of this. Here I stood talking to Rob again, quite forgetting that he was at work. As I spoke to him, I turned my head and saw another Rob, a perfect double, standing in a room directly across the corridor. Amazed, I told Rob to stand where he was, while I moved closer to the door to check my observations.
“Look, Rob. Come here,” I said, and Rob came to the doorway where he saw his own double clearly. They stared at each other, the double looking as amazed as Rob was.
[... 3 paragraphs ...]
Ruburt’s projection from the dream state was legitimate, though his control was poor. The plants Ruburt saw represented the books upon which he has worked and is working. The Lydia episode contained many ordinary dream elements. [To Rob:] You were indeed present with Ruburt in some of his travels, but you have forgotten.
Ruburt saw two of you. He saw your second form as described earlier [in Session 262]. The other was Ruburt’s dream form of you, created by himself in the dream state. When you appeared in your form two, he was conscious enough to recognize your arrival and then point out the dream image he had already created. You were able to see it also, because of your own state.
Now, when Ruburt dreams that he has discussed a dream with you, in most cases he has done so. You both converse quite naturally in forms number two. With enough traveling, these conversations can be recorded in both of your dreams. The amount of work to be done here is astounding, but you can both do this, and in so doing, you can increase man’s knowledge of the potentials of the dream state.
[... 7 paragraphs ...]
Ruburt [in the dream given before this session] was in the third form, and he did project beyond your solar system. This was still a projection within the physical universe, however. He was given information that he did not remember. When you explore the inside of a concept, you act it out. You form a temporary but very vivid image production. If Ruburt’s experience had been only this, it still would have been pertinent, for when you understand a concept in such a way the knowledge is never forgotten. It becomes part of your physical cells and your electromagnetic structure.
[... 11 paragraphs ...]