1 result for (book:sdpc AND heading:"part three chapter 19" AND stemmed:alarm)
[... 40 paragraphs ...]
A few days after this session I tried my first deliberate “projection nap,” as I called it. Instead of going to my typewriter at 8:00 A.M. as usual, I lay down and set the alarm for 9:30.1 gave myself the suggestion that I would go to sleep, recognize my state when I began to dream and project my consciousness out of my body. Paper and pen were on the bedside table. I also closed the doors so I would not hear the doorbell or phone.
[... 7 paragraphs ...]
Then I fell into a brief period of unconsciousness. I came to to find myself back in the garden I had seen earlier. A woman beckoned to me. I recognized her instantly as Miss Lizzie Roohan, a neighbor of ours years ago, who had been dead for at least fifteen years. Remembering her death, I was quite surprised to see her and even more intrigued by her appearance. Although she had been in her eighties when she died and in her sixties when I first knew her, she looked like a woman in her middle thirties. We carried on a conversation that I did not remember later. I fell into a normal dream which was also forgotten before the alarm awakened me.
[... 22 paragraphs ...]
So at least twice a week I lay down to experiment, my body on the couch or bed, the alarm clock set, my house in order, while I try to “get out” to see what I could find. I seem to have a curious talent for this, and rarely do I fail to leave my body when I’ve really made up my mind to go. Yet for periods at a time, I just concentrate on the Seth sessions, with Seth on the one side of reality and Rob on the other — two good guardians. Then I avoid out-of-body experiments. A sense of strangeness seems connected with them then. My consciousness, so used to my flesh, says that I’ve had enough. And I’m afraid to leave my body in the wintertime. In black and white print, this sounds ridiculous, yet, emotionally, the statement has a logic that speaks louder than all my deliberate suggestions to the contrary. So I experiment between May and November, coming in for the winter when the wild skies of fall are over and the bone-chilling cold settles in.
[... 1 paragraph ...]