“Seth material” search engine (Jane Roberts)

The others become frantic to get out too. We kick to the wall and push through up the fireplace, one by one, to surface. The instant I yank off my mask, I jolt awake. For some time I am disoriented. I find myself sitting on the dock and do not recall walking there. I’m in my physical body now, yet somehow the physical world around me is incomplete with enormous pieces missing. Finally, my head clears; it had been filled with a peculiar whine. It was as though the world outside of the immediate focus of my eyes was only half-formed; the rest, grayish and swirling.

A group of us are at my parents’ house, in the cellar, projecting. I look into the furnace room and notice a formation of something like hot water heaters near the ceiling. It elongates and expands into a porcelain corridor. I step into it and meet several strange catlike people who explain that I have projected into a warp of dimensions and entered their reality. It is a probable system where consciousness decided to use the cat form as the most satisfactory and in which the cat walked upright, used tools and so forth.

Reincarnation is but a part of this probability system, the part that falls within your particular universe. There are also root dreams shared by the race as a whole. Most of these are not as symbolic as Jung thought them to be but are literal interpretations of the abilities used by the inner self. For that matter, as you know, flying dreams need not be symbolic of anything. They can be valid experiences, though often intermixed with other dream elements. Falling dreams are also simple experience in many instances, representing downward motion, or a loss of form-control during projection.

Seth told us that Rob’s doctor probable self was a Doctor Pietra. As mentioned in my earlier book, we tried to contact him — so far, without success. Some years ago, Rob did do some medical artwork and was astonished at his success. He has no conscious knowledge of wanting to be a doctor as a child, but in painting he always emphasized body structure and form.

Events, then, are materialized in your time from their origins in ‘no time.’ There is no end to the source or supply of probabilities, therefore ‘no time’ is not a static, completed storehouse. Each event you form from any set of probabilities automatically gives rise to new probabilities.