1 result for (book:sdpc AND heading:"part three chapter 17" AND stemmed:hous)
[... 33 paragraphs ...]
Seth touches my shoulder, smiling. He tells me that I am to do something else and gives me a long, friendly lecture. The content is lost now, but I think it had to do with my own psychic development. Then Seth says, ‘In the earlier dream demonstration tonight, your father had problems of his own, and you ignored them. The whole house was aware of your feelings and absorbed them. It will be aware of them for some time.’
On hearing this, I feel sorry and eerie, as I imagine the house actually absorbing my ill feelings. Seth then says that I can do the whole scene over by a simple method of stepping sideways into physical reality; he tells me that this is easier than I might suppose.
[... 2 paragraphs ...]
I half waken and then drift into a recurring scene from an old childhood dream: There is a killer fog behind us, and we must get down a snowy path to home before the fog gets us. We are struggling past a large factory, when all at once I am sitting with Jane as Seth again, watching the snow dream as if it were a movie. I say, ‘Of course,’ and realize that I can relieve the people in the snow. Suddenly I feel the shell of my physical body for what it is — my own creation — and am aware of how much more I am. I go back into the snow scene. We all make the safety of the house, and I wish all the characters in the dream peace and safety from the killer fog. They will never have to fear it again. I wake up.
[... 6 paragraphs ...]
I have also been visiting our friend, here, but we have a very scary soul indeed, for she ran the other way. You think of the body as a warm house indeed, and you are loathe to leave it.
[... 15 paragraphs ...]
I nod and we walk out of the restaurant — Seth trailing along behind. We walk down a shaded, quiet street and turn in at a large white house with a screened lower porch. There is a large tree to the left of the porch, and a weedy driveway leads back to a large white barnish-looking building with double top-hinged doors. We go up a set of outside stairs and into an apartment which seems to have a large living room. Rob is about to haul out some paintings — they seem to be landscapes — when he groans in agony and nearly falls down in pain from his back, apparently. He manages to lie down on the floor and I try to show him some yoga exercises for it, but he brushes me off. I suddenly feel desperate to do something for them before it all ends.
[... 45 paragraphs ...]