1 result for (book:sdpc AND heading:"part three chapter 17" AND stemmed:creativ)
[... 11 paragraphs ...]
Great as these things are, there is a totality of experience and sensation that includes them all, a vortex that contains and transforms these infinite parts. I know that of which I speak. Yet, each minute event immeasurably increases not only itself but all other events, bringing into birth by its own actualization an infinitude of novus actions and events, an unfolding or multi-dimensionalizing of itself, an initiation into dimensionalization. For all versions and possibilities of each event must be actualized in the limitless multiplication of creativity.
[... 59 paragraphs ...]
After the Seth sessions began, Seth told us that we, ourselves, had created the images of the couple, projected all of our negative attitudes into them and then reacted. I didn’t know what to think of this explanation at the time. Later as we explained the nature of personality and its creative potentials, I saw that this was precisely what we had done.
[... 6 paragraphs ...]
The affair is also a lesson to you when you think negatively, showing you the results of such negative thoughts, followed without letup — and, in fact, followed in spite of redeeming actions that would change events. The other couple, for example, ignored the contact with me. The negative and bitter qualities of personality came fully to the fore, uncompromised and unredeemed by the fulfilling and creative functions that they had also smothered.
[... 7 paragraphs ...]
Now, Ruburt has also done the same service for a probable Sue in another system of reality, though in an entirely different way. And you [Rob], incidentally, have helped a probable Carl [Sue’s husband] in the same manner, using his creative abilities. The probable Carl, in other words, has strong creative abilities, and you have helped him understand this.
[... 7 paragraphs ...]
Having created them because of your abilities, you then perceived them as objectified apparitions in physical reality, when Ruburt immediately made the conscious comparison, and resolved that you should never end up looking like them … or filled with the bitterness that was written in their faces. The conscious notice, therefore, was all you knew of the deep unconscious creative endeavor and psychological mechanism that brought them into existence.
[... 2 paragraphs ...]
Ruburt’s creative ability quickly deteriorated, for bitter attitudes shrivelled up the source of the creativity. In that reality, you returned from York Beach, gave up your apartment in Elmira, returned to Sayre, lived for some time with your parents, [and] commuted to your Elmira job to save money.
[... 3 paragraphs ...]
Unconsciously, you are aware of their progress, as unconsciously they are aware of yours. You saw to it that they would be helped. Remember that regardless of anything, you gave them existence and consciousness, a gift of creativity, and potentials that they will try in their own way to fulfill. Their experiences have been different from yours. Their fulfillment, when they achieve it, will, therefore, be of a different nature, bringing out facets of activity that will not exist in your circumstances — their meeting with your friend [Sue], for example.
[... 2 paragraphs ...]
This was the next line of your development, however. You cleared away debris. You gave yourselves psychic breathing space so that your creative abilities could arise, and saw that the way was open for our sessions to begin.
[... 1 paragraph ...]