“Seth material” search engine (Jane Roberts)

On Friday, October 9, 1970, I received a letter from a reader, Peg Boyles, about my book The Seth Material. With it she included an excerpt from Living Time by Maurice Nicoll, and another from a manuscript by Alice Bailey. We were expecting company that night. After dinner I watched “Mission Impossible” on television and began reading the Nicoll exerpts which were on probabilities. I did not even look at the Bailey material. The Nicoll pages intrigued me, and I thought of asking Seth about some of Nicoll’s ideas.

The words were simply there, completely intrusive as far as I was concerned. I’d been scowling at the dirty pot and thinking of my company. “What?” I said.

At the same time, the people in the apartment downstairs got company. They came tramping and laughing up the steps just beneath my open window. Suddenly, the sound of traffic also bothered me. I’d been unaware of it only a moment before. Now, the cars went rushing through the rain. All of these sounds merged together, intensified, while each retained its own unique quality.

Nearly three more pages of dictation followed, coming in the same way as before. Because of the nature of the material, I thought I might be shown how to enter a probable moment from the present one. Initial instructions were given, though only preliminary, but I was ready to follow them. Now the speaker was addressing me, where the earlier monologue had been impersonal. At this point, unfortunately, our company arrived. I was really disappointed, but shook my consciousness to set it back to daily things, and with only a moment of reorientation attended to my guests.

(End of script; company arrived.)

Jane and Rob glance at each other and laugh — a nasty, bitter laugh. ‘She still works all day at the taxi company’ Rob says, “and I work too. Want to come home and see the paintings I’ve done?’