1 result for (book:sdpc AND heading:"part three chapter 17" AND stemmed:both)
[... 17 paragraphs ...]
Along with the last sentence, I saw an image that is difficult to explain. It was a rectangular object that reminded me of a gadget shown to us once by Jim Beal from NASA that reacted to light and another that reacted to pressure. Both of those gadgets turned all colors and achieved different stages of transparency and opaqueness. So did the object I saw now. It was supposed to represent the moment as we perceive it. The center section of the rectangle was most opaque and the ends most transparent. There were new bursts of noise from downstairs at this point, and the image vanished.
[... 11 paragraphs ...]
I mentioned this and read my small script to class at our next meeting, adding that I thought further instructions would have been given if the session had not been cut short. Sue Watkins and I also discussed the episode. Both of us found it intriguing and wished we could get more practical experience with probable moments.
[... 6 paragraphs ...]
In this experience, it is Thanksgiving Day. My mother’s family is here also. I am in the sunroom watching my father take food from a buffet set in the dining room. My mother and her sister are in there, talking. Suddenly my father becomes angry, throws his plate onto the rug and grabs another. My mother begins to cry. I remember probabilities, however, and instead of becoming upset myself, I send my father thoughts of peace and health. I know that now the scene will not happen this Thanksgiving in physical reality — that I have helped choose another more positive one. The scene ends. I feel as though I have been both watching and participating. I hear Seth remark: ‘You learn well, and manipulate equally well.’
[... 2 paragraphs ...]
Sue couldn’t wait to tell me about the dream. We were both pleasantly astonished. Probable realities seemed like such an esoteric idea that we really hadn’t hoped for much practical experience with it. But you’ll see shortly, this was only the beginning.
[... 11 paragraphs ...]
There I see, to my surprise and joy, Jane and Rob Butts sitting talking to some other people. Or are they Jane and Rob? They are older-looking and both look very cynical about whatever they are discussing. I wonder if the town is Sayre, Pennsylvania and if we are all really there or if we have made this place up. The other people go away, and I go sit down next to Jane, and, to my surprise, they do not acknowledge or recognize me at all.
[... 2 paragraphs ...]
I then observe how haggard they look. Jane is much heavier and is wearing a black long-sleeved turtleneck. Her hair is fuller but quite gray. Rob looks extremely tired and is sitting in a slouch; his face is not fat but fleshy — almost dissipated. He is smoking one cigarette after another. They both look bitter and not very happy.
[... 30 paragraphs ...]
By comparing the two couples, therefore, she receives an object lesson both for herself and her husband. More than this, however, through the experience all of you learned that help is extended from one system to the other. The other couple, the probable couple, have also helped you and your friend, though quite unknowingly at conscious levels, by serving as such object lessons.
[... 4 paragraphs ...]
In this case, however, you both sensed your lives at a period of crisis, and projected your fears outward into the formation of the images.
[... 15 paragraphs ...]