1 result for (book:sdpc AND heading:"part three chapter 17" AND stemmed:bitter)
[... 54 paragraphs ...]
I then observe how haggard they look. Jane is much heavier and is wearing a black long-sleeved turtleneck. Her hair is fuller but quite gray. Rob looks extremely tired and is sitting in a slouch; his face is not fat but fleshy — almost dissipated. He is smoking one cigarette after another. They both look bitter and not very happy.
[... 4 paragraphs ...]
Jane and Rob glance at each other and laugh — a nasty, bitter laugh. ‘She still works all day at the taxi company’ Rob says, “and I work too. Want to come home and see the paintings I’ve done?’
[... 8 paragraphs ...]
They looked like bloated, bitter copies of us, at a later age. The woman was much stouter than I but bore a striking resemblance to me. The man could have been Rob’s twin, but older, with a face marked by disillusion. They frightened me badly. I kept thinking, “God, we could end up looking like that,” and, in a strange way, I felt that they were us, in some terrible future.
[... 9 paragraphs ...]
The affair is also a lesson to you when you think negatively, showing you the results of such negative thoughts, followed without letup — and, in fact, followed in spite of redeeming actions that would change events. The other couple, for example, ignored the contact with me. The negative and bitter qualities of personality came fully to the fore, uncompromised and unredeemed by the fulfilling and creative functions that they had also smothered.
[... 10 paragraphs ...]
From this standpoint these are fragment personalities; therefore, they have your memories up to that point of their initiation, and they continued on from there. They were seen by you as far older, as you interpreted, created and then perceived bitterness and negative attitudes. To them, however, they were the age that you were at the point of their breakoff. Such personalities can be created and are created under varying conditions too many to enumerate.
[... 4 paragraphs ...]
Having created them because of your abilities, you then perceived them as objectified apparitions in physical reality, when Ruburt immediately made the conscious comparison, and resolved that you should never end up looking like them … or filled with the bitterness that was written in their faces. The conscious notice, therefore, was all you knew of the deep unconscious creative endeavor and psychological mechanism that brought them into existence.
Even weighed down by fears and negative attitudes, they retained their own close relationship, but they were not able to help each other and were united by bitterness against the world, as much as by love for each other.
[... 1 paragraph ...]
Ruburt’s creative ability quickly deteriorated, for bitter attitudes shrivelled up the source of the creativity. In that reality, you returned from York Beach, gave up your apartment in Elmira, returned to Sayre, lived for some time with your parents, [and] commuted to your Elmira job to save money.
[... 1 paragraph ...]
You felt the money might be needed for your parents, and as you continued you became more bitter at the sacrifice you felt you were making. Actually, the negative conditions were so accepted that you simply followed them.
[... 3 paragraphs ...]
The two of you were, therefore, freed largely of the most volatile of your bitter attitudes and tendencies when you thrust them out from you in such a way. You began your improvement from that point. You got rid of a dangerous accumulation of explosive negative energy and freed yourselves to that extent. You had not learned to change your attitudes, however, nor learned how to prevent a new buildup, you see.
[... 2 paragraphs ...]