1 result for (book:sdpc AND heading:"part three chapter 17" AND stemmed:am)
[... 32 paragraphs ...]
Suddenly I am yanked away from this scene, and Carl [Sue’s husband] and I are sitting in a large room with Jane as Seth. Seth turns to Carl and gives him a long lecture. Carl smiles at him, and Seth says, ‘Now at the count of three, you will go into a deeper trance.’ Carl begins to do so. I lie down on the couch and say, ‘Wow, to be out at the count of three?’ I close my eyes.
Seth touches my shoulder, smiling. He tells me that I am to do something else and gives me a long, friendly lecture. The content is lost now, but I think it had to do with my own psychic development. Then Seth says, ‘In the earlier dream demonstration tonight, your father had problems of his own, and you ignored them. The whole house was aware of your feelings and absorbed them. It will be aware of them for some time.’
[... 1 paragraph ...]
Using a series of mental exercises explained to me by Seth, I do step sideways — it is as though I am squeezing between two bars, and I find myself back in the bedroom with my father there, again, complaining. This time I change the events from the way they happened the first time, realize how important his problems are to him, smile and send him good thoughts. At once I am propelled into another, similar scene.
In this experience, it is Thanksgiving Day. My mother’s family is here also. I am in the sunroom watching my father take food from a buffet set in the dining room. My mother and her sister are in there, talking. Suddenly my father becomes angry, throws his plate onto the rug and grabs another. My mother begins to cry. I remember probabilities, however, and instead of becoming upset myself, I send my father thoughts of peace and health. I know that now the scene will not happen this Thanksgiving in physical reality — that I have helped choose another more positive one. The scene ends. I feel as though I have been both watching and participating. I hear Seth remark: ‘You learn well, and manipulate equally well.’
I half waken and then drift into a recurring scene from an old childhood dream: There is a killer fog behind us, and we must get down a snowy path to home before the fog gets us. We are struggling past a large factory, when all at once I am sitting with Jane as Seth again, watching the snow dream as if it were a movie. I say, ‘Of course,’ and realize that I can relieve the people in the snow. Suddenly I feel the shell of my physical body for what it is — my own creation — and am aware of how much more I am. I go back into the snow scene. We all make the safety of the house, and I wish all the characters in the dream peace and safety from the killer fog. They will never have to fear it again. I wake up.
[... 14 paragraphs ...]
At this point, I am suddenly hit with the the knowledge that this is the dream state of another probability system involving Jane and Rob’s probable selves here. I suddenly say to them, ‘My name is Sue Watkins, and my husband’s name is Carl.’ They give me a rather nasty ‘so-what’ look.
[... 3 paragraphs ...]
‘Look,’ I say, ‘You and I are in the dream state. I am from another probability system. You know me there. In mine, you kept on with the “messages” and found — I glance at Seth, who is smiling — ‘they were from him and you went on to discover fantastic things about life.’
[... 4 paragraphs ...]
At this point I hear a number of voices calling to me and I experience a false awakening, and know it, where I am lying in bed in a strange room but realize I must get up and write this experience down. I think then that this must be the astral system of my own probability system and that I have returned safely. I see Carl next to me, and I relax, fall asleep and wake up in my physical bed.
(Could these have been the York Beach couple? Or was it a simple learning method? I am filled with the conviction that this was legitimate.)
[... 43 paragraphs ...]