1 result for (book:sdpc AND heading:"part three chapter 12" AND stemmed:record)
[... 13 paragraphs ...]
Records of individual dreams are not enough, nor are studies of the physiological effect of dreaming. Most psychologists would not admit the existence of a definite structured universe in which dream acts, rather than physical acts, happen. Therefore, at this time, they will not consider dreams in this larger context. Seth maintains that we will understand ourselves as dreamers only if we are also aware of the larger environment in which dreams take place, that we interact in the dream state as we do in the waking one and that we form mass dream events as we form physical events on a mass basis.
[... 10 paragraphs ...]
A recorder may also be used, of course. You must still play back the tape and transfer the dreams into a notebook, however, so that the records are easily accessible. This actually takes more time, but many people prefer to speak their dream recollections into a recorder at once, rather than to write them down.
[... 4 paragraphs ...]
The dream will then be fresh. If your recorder is suitably situated with the microphone easily at hand, then you can speak your dream with less effort than is required to write it down. Of course records must be kept. The simplest part of this experiment will involve the use of suggestion to awaken yourself at the completion of each dream.
[... 3 paragraphs ...]
Unknown characters within the dream action, persons unknown to you in daily life, should be given careful attention also, and the roles which they play within the dream drama. The primary colors should be noted. It goes without saying now that all dream events should be checked against physical reality so that any clairvoyant elements are clearly checked and recorded. …
[... 2 paragraphs ...]
You may try two different wordings for a start, and now I am speaking of precise wording. The first: ‘I will wake up after each of my first five dreams and record each one immediately.’ The second alternative wording would be the same as the one I have just given, but the ‘wake up’ would be omitted. That is, it is possible for you to record the dreams, speaking into the microphone without awakening in your terms.
This is not only possible but by far the most convenient. You should try both methods and discover which one works the best for you. If at all possible, the recorder should be in the bedroom (not in another part of the house.) It is the immediate dream recall we are after. We want you to record the dream at the instant of awakening or at the instant that the dream is about to dissolve.
The time involved in going from one room to another could result in the loss of dream content and vividness. The very motor responses demanded on the part of the body and the extra arousal tendency would force you to lose a good deal of valid material. I would prefer that you work less, if necessary, using the recorder in the bedroom, than work more intensively leaving the recorder in another room.
[... 8 paragraphs ...]
I am particularly interested in these experiments, and as a preliminary for them, we will have you work with suggestion alone before you attempt to begin with your recordings. … We shall have you both working well in your sleep, for the dream will not be captured in a laboratory — by scientists who will not look into their own dreams.
[... 4 paragraphs ...]
We have also spoken of the dream as a drama, and you must discover the various levels within which these dramas take place. You will also find that the various levels of the ‘subconscious’ will yield their own characteristics, and as your records grow, this will become apparent. It is necessary, then, that dreams are recorded in consecutive order whenever possible.
[... 26 paragraphs ...]
“I have the impression that it’s a lot more than just theory,” Rob said, and I had to agree with him. The material on dream locations particularly intrigued me. Seth had told us to leave room in our dream records to note the locations and advised us to examine them carefully. I was quite surprised at the different kinds of dream locations in my own dreams and made up the following list of them. Look for these when you examine your own dreams:
[... 9 paragraphs ...]
I was also interested in what I did in dreams — not just generally, but for any given night. During one period of four nights, I recorded twenty-one dreams. In these I was involved in four exciting episodes in which I ran from danger, used my wits to overcome it or faced it directly. I ran through radioactive rain (in a dream that, oddly enough, proved precognitive!), wandered through lovely gardens, explored several unfamiliar houses, and spoke with a well-known author whom I’ve never met. Not bad, I thought, for someone who hadn’t left the bed all night!
People who have always remembered many of their dreams may be less than impressed with the idea of recording dream activities, but others for whom sleep means oblivion will find dream recall a fascinating endeavor and the variety of dream acts almost astonishing. Even those with good dream-memories will find that persistant dream recall experiments are invaluable. As we discovered later, it is the effort required to remember dreams, and the resulting stretching of consciousness that finally opens up dream reality.
[... 20 paragraphs ...]