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SDPC Part One: Chapter 1 8/84 (10%) constructions Cunningham idea entity amoeba
– Seth, Dreams and Projections of Consciousness
– © 2011 Laurel Davies-Butts
– Part One: Intrusions from the Interior Universe — A Subjective Journal
– Chapter 1: Dreams, Creativity and the Unconscious — Excerpts from “The Physical Universe as Idea Construction” — My First Glimpse into the Interior Universe

[... 21 paragraphs ...]

As the days passed, the dream was more or less forgotten. Only now and then did it nag at me with its disquieting connotations. I felt, uneasily, that a small but significant tear had been ripped in the nature of things. Looking back, I’m sure that I sniffed danger as surely as any animal who senses something strange and new in his environment — or as any adult when threatened by a change in the status quo. So for all general purposes, I put the dream out of my mind and went on my way. I later mentioned this dream in my first book in the field, How To Develop Your ESP Power. Even then, I had no idea that it would be only one of a series of psychic events involving Miss Cunningham, nor did I see its true significance in my own development.

[... 42 paragraphs ...]

Each entity perceives only his own constructions on a physical level. Because all constructions are more or less faithful reproductions in matter of the same basic ideas (since all individuals are, generally speaking, on the same level in this plane), then they agree sufficiently in space, time and degree so that the world of appearances has coherence and relative predictability.

[... 10 paragraphs ...]

The reflection is brief, but for a moment the animal partakes of a new dimension. The shadow of time glimmers in his eyes as the still imperfected memory of past constructions lingers in his consciousness. As yet, memory storage is small, but now the instantaneous construction is no longer instantaneous, in our terms. There is a pause: the organismdog or tigercan choose to attack or not to attack. The amoeba must construct its small world without reflection and without time as we know it.

Entities with still broader range need more complicated structure. The scope of their receptivity is so large that the simple autonomic nervous system is not enough. The amoeba constructs each idea it receives, because it is able to receive so few. All must be constructed to ensure survival. With man, the opposite becomes true. He has such a range of receptivity that it is impossible for him to construct all of his ideas physically. As his scope widened, a mechanism was necessary that would allow him to choose. Self-consciousness and reason were the answers.

Suddenly, time blossomed like a strange flower in his skull. Before this he was transfixed in the present. But memory produced another dimension in the animal and man carried it further. No longer did memory flicker briefly and disappear, enclosing him in darkness again. Now it stretched brightly behind him and also stretched out aheada road on which he always saw his own changing image.

He learned continuity. And with his focused memory at his command, man’s ego was born, which could follow its own identity through the maze of blazing impulses that beset him, could recognize itself through the pattern of continuing constructions and could separate itself from its action in the physical world. Here you have the birth of subject and object, the I AM who is the doer or constructor, and the construction itself.

This new dimension enabled the species to manipulate and recognize its own constructions and freed it to focus greater energy in projecting some ideas over others. In other words, conscious purpose became possible, physically. Somewhere along the line, however, man began to divorce himself almost completely and artifically from his own constructions. Hence his groping, his sense of alienation from nature, his search for a Cause or Creator of a creation he no longer recognized as his own.

It’s impossible to describe the impression that this manuscript made on me, much less to verbalize the experience that accompanied it. All of these ideas were completely new to me and quite contrary to my own beliefs. I had never written anything like this before. Rob was painting in his studio at the time. When he came out, I was so excited and amazed that I could hardly speak.

[... 2 paragraphs ...]

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