“Seth material” search engine (Jane Roberts)

(Although we hated to do it, Jane and I have finally arranged to have an unlisted telephone number. Up to twenty calls a day have been coming in — and sometimes many more, day and night. It can be quickly calculated that such a rate adds up to 600 or so messages a month. Jane was the one who took most of the calls, for she was usually the one people wanted to talk to. She enjoyed the personal interactions most of the time, and often spent a half hour or so trying to help someone in that way. But finally she reached the point where there just wasn’t enough time for her to answer the telephone that often and get her own work done too.)

In the dream state the actors become aware to some extent of the parts they play, and sense the true personal identity that is behind the artist’s craft. I have spoken of this before, but it is important to remember that you impose a certain kind of “artificial” sense of exaggerated continuity even to the self you know. Your experience changes constantly, and so does the intimate context of your life — but you concentrate upon points of order, in your terms, that actually serve to scale down the context of your experience to make it more comprehensible. There are no such limits naturally set about your consciousness.

In nature nothing is wasted, so the luxurious growth of man’s dream landscapes are also utilized. Whether or not these are physically actualized, they have their own reality. Your own personalities are to some extent the result of your waking experience. But they are also formed equally by your dreaming experience, by the learning and knowledge and encounters that occur when many would tell you that you are beyond legitimate perception. Dreams, then, are deeply involved with the learning processes. Dreams of walking and running occur in infants long before they crawl, and serve as impetuses.