“Seth material” search engine (Jane Roberts)

(It was a beautiful evening. Most enjoyable. Jane and I were both somewhat tired, though; indeed, we held no sessions last week. Over the summer we’d scheduled meetings with professionals in various fields who are interested in our work, and these had taken time and concentration. We’re curious about all of those other disciplines in the arts, sciences, and humanities, of course, so we always look forward to such visitors — though sometimes any new relationship “takes,” and sometimes it doesn’t.

There are alterations taken into your calculations, so astronauts know ahead of time that they can expect to encounter weightlessness, for example. Your ideas and experiences with space and matter, however, are determined by your own sense apparatus. What is matter to you might be “empty space” for beings equipped in an entirely different fashion. Your conscious mind as you understand it is the “psychological structure” that deals with conditions on a physical basis. Sense data are served up, so to speak, more or less already packaged. The greater inner reality of the psyche, however, is as extensive as outer space seems to be.

Psychologically and physically, however, you send out dream bulletins all the while in a constant inner communication. On this level individual dreams help form mass reality, yet also to some extent arise from it in the same way that local weather conditions contribute to world weather conditions, while they are formed by them at the same time.

Events as you understand them are only intrusions of multidimensional activities into space and time. Events are reflections of your dreams even as your dreams reflect the events you know; those you experienced, and those you anticipate in one way or another. In a manner of speaking, then, and without denying the great validity of your experience, events as you know them are but fragments of other happenings in which you are also intimately involved. The inner multidimensional shape of events occurs in a framework that you cannot structure, however, because as a rule you are not focused in that direction. You prefer to deal with activities that can be physically manipulated.

Again, I do not mean to deny the validity of that experience, but to point out its specialized nature. By its nature, however, that precise specialization and tuning of consciousness in to space and time largely precludes other less-specialized encounters with realities. Dreams often present you with what seems to be an ambiguity, an opaqueness, since they lack the immediate impact of psychological activity with space and time. From your viewpoint it seems often that dreams are not events, or that they happen but do not happen. The lack of normal time and space intersections means that you cannot share your dreams with others in the way that you can share waking events. Nor can you remember dream events — or so it seems — as you do your normal conscious experience. In actual fact you remember consciously only certain highlighted events of your lives, and ordinary details of your days vanish as dreams seem to.

This is true of a life. It is true of a dream. The information is not practical in your terms, because it denies your direct experience. Upon request, however, and with some practice, you can suggest in the middle of a dream that it expand to its larger proportions. You would then experience one dream wrapped in another, or several occurring at one time — all involving aspects of a particular theme or probability, with each connected to the others, although to you the connections might not be apparent.

Creativity connects waking and dreaming reality, and is in itself a threshold in which the waking and dreaming selves merge to form constructs that belong equally to each reality. You cannot begin to understand how you form the physical events of your lives unless you understand the connections between creativity, dreams, play, and those events that form your waking hours. In one respect dreams are a kind of structured unconscious play. Your mind dreams in joyful pleasure at using itself, freed from the concerns of practical living. Dreams are the mind’s free play. The spontaneous activity, however, is at the same time training in the art of forming practical events.

Probabilities can be juggled, tried out without physical consequences. The mind follows its natural bents. It has far more energy than you allow it to use, and it releases this in great “fantasies” — fantasies from which you will choose facts that you will experience. At the same time dreaming is an art of the highest nature, in which all are proficient. There are structured dreams as there are structured games in waking life. There are mass dreams “attended by many.” There are themes, both mass and private, that serve as a basis or framework. Yet overall, the mind’s spontaneous activity continues because it enjoys its own activities.