“Seth material” search engine (Jane Roberts)

You are bombarded with such “alien intrusions” constantly. The focus of your consciousness blots these out while you are in the normal waking state. There are falling stars everywhere tumbling through the heavens, for example, though you only see some of these in the night sky. It is important during the day that a screening process be used, so that the precision of your actions can be maintained. Again, however, that fine precision rests upon an endless amount of information that impinges onto other levels of your psychological reality. Those data then become the raw material, so to speak, from which your physical events are formed.

In the dream state, with your body more or less safe and at rest, and without the necessity for precise action, these psychological intrusions become more apparent. Many of your dreams are like the tail end of a comet: Their real life is over, and you see the flash of their disappearance as they strike your own mental atmosphere and explode in a spark of dream images. They are transformed, therefore, as they travel through your own psychological atmosphere. You could not perceive them in your own state — nor can they maintain their native state as they plunge through the far reaches of the psyche. They fall in patterns, forming themselves naturally into the dream contents that fit the contours of your own mind. The resulting structure of the dream suits your reality and no other: As this intrusive matter falls, plummets, or shifts through the levels of your own psychological atmosphere, it is transformed by the conditions it meets.

(9:44.) Dreams patter down into psychological puddles. They follow the contours of your psychological reality. They make ever-moving psychic patterns in your mind, rippling outward. The rain that hits your backyard as warm drops, soft and clear, may be hail in areas far above your rooftop, but it changes its form as it falls — again, according to the conditions that it encounters. So these “alien intrusions” do the same, and the dreams are like the raindrops, for at other “higher” levels they may have quite a different form indeed.

(Long pause.) You know that the natural world changes its form constantly. Objects, however, follow certain laws of a physical nature as you experience them, just as violets on the ground do not suddenly change into rocks.

These conditions, however, only exist at the conscious level of your perception. The larger psyche deals with the greater dimension of events, and the dream state itself is like a laboratory in which your waking reality is constructed. The physical earth is bombarded by cosmic rays, and by other phenomena that you do not perceive, yet they are highly important to your survival. The psyche is bombarded in the same way by phenomena important to your survival. In the laboratory of dreams this information is processed, collected, and finally formed into the dreams that you may or may not remember; dreams that are already translations of other events, shaped into forms that you recognize.

Each dream you remember is quite legitimate in the form in which you recall it, for the information has broken down, so to speak, fitting the contours of your own intents and purposes. But such a dream is also a symbol for another unrecalled event, a consciously unrecorded “falling star,” and a clue as to how any environment is formed.

Dreams often seem chaotic because your point of reference is too small to contain the added dimensions of actuality. Again, in a manner of speaking, events are far more circular in nature. In dreams you can experience the past or future. Physical events are actually formed now, in your terms, because of the interactions between past and future, which are not separate in actuality, but only in your perception.

Psychologically and physically, however, you send out dream bulletins all the while in a constant inner communication. On this level individual dreams help form mass reality, yet also to some extent arise from it in the same way that local weather conditions contribute to world weather conditions, while they are formed by them at the same time.

Creativity connects waking and dreaming reality, and is in itself a threshold in which the waking and dreaming selves merge to form constructs that belong equally to each reality. You cannot begin to understand how you form the physical events of your lives unless you understand the connections between creativity, dreams, play, and those events that form your waking hours. In one respect dreams are a kind of structured unconscious play. Your mind dreams in joyful pleasure at using itself, freed from the concerns of practical living. Dreams are the mind’s free play. The spontaneous activity, however, is at the same time training in the art of forming practical events.