“Seth material” search engine (Jane Roberts)

When your eyes are on the road of time, therefore, you forget the circular motion of your being. When you dream or sleep, however, the world of cause and effect either vanishes or appears confused and chaotic. Normal daytime images are mixed and matched, so that combinations are formed quite different from those seen in the daylight. The known rules that govern the behavior of creatures and objects in dreams seem no longer to apply. Past, present, and future merge in a seemingly bizarre alliance in which, were you waking, you would lose all mental footing. The circular nature of the psyche to some extent makes itself known. When you think of dreams you usually consider those aspects of it only, commenting perhaps upon the strange activities, the odd juxtapositions and the strange character of dream life itself. Few are struck by the fact of their dreams’ own order, or impressed by the ultimate restraint that allows such sometimes-spectacular events to occur in such a relatively restricted physical framework.

I said that your language to some extent programs your experience. There is a language of the senses, however, that gives you biological perception, experience, and communication. It forms the nature of the events that you can perceive. It puts experience together so that it is physically felt. All of your written or verbal languages have to be based upon this biological “alphabet.” There is far greater leeway here than there is in any of your spoken or written languages.

Dreams are a language of the psyche, in which man’s nature merges in time and out of it. He has sense experiences. He runs, though he lies in bed. He shouts, though no word is spoken. He still has the language of the flesh, and yet that language is only opaquely connected with the body’s mechanisms. He deals with events, yet they do not happen in his bedroom, or necessarily in any place that he can find upon awakening.