“Seth material” search engine (Jane Roberts)

When your eyes are on the road of time, therefore, you forget the circular motion of your being. When you dream or sleep, however, the world of cause and effect either vanishes or appears confused and chaotic. Normal daytime images are mixed and matched, so that combinations are formed quite different from those seen in the daylight. The known rules that govern the behavior of creatures and objects in dreams seem no longer to apply. Past, present, and future merge in a seemingly bizarre alliance in which, were you waking, you would lose all mental footing. The circular nature of the psyche to some extent makes itself known. When you think of dreams you usually consider those aspects of it only, commenting perhaps upon the strange activities, the odd juxtapositions and the strange character of dream life itself. Few are struck by the fact of their dreams’ own order, or impressed by the ultimate restraint that allows such sometimes-spectacular events to occur in such a relatively restricted physical framework.

New paragraph. When you grow from a baby to an adult you do not just grow tall: You grow all about yourself, adding weight and thickness as well. To some extent events “grow” in the same fashion, and from the inside out, as you do. In a dream you are closer to those stages in which events are born. In your terms they emerge from the future and form the past, and are given vitality because of creative tension that exists between what you think of as your birth and your death.

You make sentences out of the alphabet of your language. You speak these or write them, and use them to communicate. Events can be considered in the same fashion, as psychological sentences put together from the alphabet of the senses — experienced sentences that are lived instead of written, formed into perceived history instead of just being penned, for example, into a book about history.

I said that your language to some extent programs your experience. There is a language of the senses, however, that gives you biological perception, experience, and communication. It forms the nature of the events that you can perceive. It puts experience together so that it is physically felt. All of your written or verbal languages have to be based upon this biological “alphabet.” There is far greater leeway here than there is in any of your spoken or written languages.

I use the word “cordella” to express the source out of which such languages spring. There are many correlations of course between your language and your body. Your spoken language is dependent upon your breath, and even written language is dependent upon the rapidity with which messages can leap the nerve endings. Biological cordellas then must be the source for physical languages, but the cordellas themselves arise from the psyche’s greater knowledge as it forms the physical mechanism to begin with.