“Seth material” search engine (Jane Roberts)

It is cast for you so that it bridges the perception of the psyche and the perception of the dreaming self. Dreams serve as dramas, transferring experience from one level of the psyche to another. In certain portions of sleep, your experience reaches into areas of being so vast that the dream is used to translate it for you.

A spoken language is, again, dependent upon all other languages that could possibly be spoken, and thus its sounds rise into prominence and order because of the silences and pauses between them; so your waking consciousness is dependent upon what you think of as sleeping or dreaming consciousness. It rises into prominence in somewhat the same fashion, riding upon other possible versions of itself; alert only because — in your terms — of hidden pauses within its alertness.

The creative impulses are behind your languages, yet often you use the languages to silence rather than free inner communication. There have always been rhythms in consciousness that are not historically obvious. At certain times some behavior has been primarily expressed in the waking state, and sometimes in the dream state. The emphasis is never static, but ever-changing In some periods, then, the normal behavior was “more dreamlike,” while more specific developments occurred in the dream state, which was then the more clear or specified of the two. Men went to sleep to do their work, in other words, and the realm of dreams was considered more real than waking reality. Now the opposite is true.