“Seth material” search engine (Jane Roberts)

(Pause.) A musician writing a symphony, however, does not use all of the notes that are available to him. He chooses and discriminates. His discrimination is based upon his knowledge of the information available, however. In the same way, your languages are based upon an inner knowledge of larger available communications. The “secrets” of languages are not to be found, then, in the available sounds, accents, root words or syllables, but in the rhythms between the words; the pauses and hesitations; the flow with which the words are put together, and the unsaid inferences that connect verbal and visual data.

Now: Ruburt’s sense of strangeness is indeed connected with this evening’s material. He was, however briefly, involved in a process that enabled him to reach beneath verbal or imagery language.

Let him rest. he has become aware of distances in his own consciousness, in a fashion difficult to describe. Neurologically he became familiar to some extent with the stuff beneath language, the inner rhythms unexpressed, and felt the odd connections that exist between words and your sense of time. This confused him, for this was material directly felt but verbally inexpressible. He will readjust “in no time.”