“Seth material” search engine (Jane Roberts)

(Pause.) A musician writing a symphony, however, does not use all of the notes that are available to him. He chooses and discriminates. His discrimination is based upon his knowledge of the information available, however. In the same way, your languages are based upon an inner knowledge of larger available communications. The “secrets” of languages are not to be found, then, in the available sounds, accents, root words or syllables, but in the rhythms between the words; the pauses and hesitations; the flow with which the words are put together, and the unsaid inferences that connect verbal and visual data.

(Long pause at 10:37.) As a species “you” sought certain kinds of experience. Individually, and as tribes or nations, you follow certain “progressions” — and yet in so doing you act also on the part of the whole of nature. You take into your bodies in transmuted form the consciousnesses of all the things you consume.

(10:50. Jane had “strange feelings” connected with tonight’s session. She felt somewhat disoriented, yet couldn’t explain very well in just what way. She’d taken many long pauses in delivering the material — a few of which I’ve indicated — but hadn’t been at all concerned about them while in trance. She said that at such times she was “waiting for the material to assemble and translate itself:” Originally it wasn’t verbal at all. Resume at 11:13.)