“Seth material” search engine (Jane Roberts)

(Long pause at 10:03.) Or: “Taking on my tree nature, I rest in my shade.” Or even: “From my man nature, I rest in the shade of my tree nature.” A man did not so much stand at the shore looking down at the water, as he immersed his consciousness within it. Man’s initial curiosity did not involve seeing, feeling, or touching the object’s nature as much as it involved a joyful psychic exploration in which he plunged his consciousness, rather than, say, his foot into the stream — though he did both.

(Long pause at 10:26.) You are robbed, then, or you rob yourselves, of one of the most basic kinds of expression, since you can no longer identify yourselves with the forces of nature. Man wanted to pursue a certain kind of consciousness, however. In your terms, over a period of time he pulled his awareness in, so to speak; he no longer identified as he did before, and began to view objects through the object of his own body. He no longer merged his awareness, so that he learned to look at a tree as one object, where before he would have joined with it, and perhaps viewed his own standing body from the tree’s vantage point. It was then that mental images became important in usual terms — for he had understood these before, but in a different way, from the inside out.

Now he began to draw and sketch, and to learn how to build images in the mind that were connected to real exterior objects in the presently accepted manner. Now he walked, not simply for pleasure, but to gain the information he wanted, to cross distances that before his consciousness had freely traveled. So he needed primitive maps and signs. Instead of using whole images he used partial ones, fragments of circles or lines, to represent natural objects.