“Seth material” search engine (Jane Roberts)

Because of such identification with nature, the death experience, as you understand it, was in no way considered an end. The mobility of consciousness was a fact of experience. The self was not considered to be stuck within the skin. The body was considered more or less like a friendly home or cave, kindly giving the self refuge but not confining it.

The language or the method of communication can best be described perhaps as direct cognition. Direct cognition is dependent upon a lover’s kind of identification, where what is known is known. At that stage no words or even images were needed. The wind outside and the breath were felt to be one and the same, so that the wind was the earth breathing out the breath that rose from the mouths of the living, spreading out through the earth’s body. Part of a man went out with breath — therefore, man’s consciousness could go wherever the wind traveled. A man’s consciousness, traveling with the wind, became part of all places.

(Long pause at 10:26.) You are robbed, then, or you rob yourselves, of one of the most basic kinds of expression, since you can no longer identify yourselves with the forces of nature. Man wanted to pursue a certain kind of consciousness, however. In your terms, over a period of time he pulled his awareness in, so to speak; he no longer identified as he did before, and began to view objects through the object of his own body. He no longer merged his awareness, so that he learned to look at a tree as one object, where before he would have joined with it, and perhaps viewed his own standing body from the tree’s vantage point. It was then that mental images became important in usual terms — for he had understood these before, but in a different way, from the inside out.

I said before that early man felt a certain emotional magnification, that he felt, for example, the wind’s voice as his own. In a manner of speaking your languages, while expressing your individual intents and communications, also represent a kind of amplification arising from your molecular configurations. The wind makes certain sounds that are dependent upon the characteristics of the earth. The breath makes certain sounds that are dependent upon the characteristics of the body. There is a connection between alphabets and the molecular structure that composes your tissue. Alphabets then are natural keys also. Such natural keys have a molecular history. You form these keys into certain sound patterns that have particular meanings.

(Long pause at 11:26.) There are “inner sounds” that act like layers between tissues, that “coat” molecules, and these serve as a basis for exterior sound principles. These are also connected to rhythms in the body itself.

Again, you speak for yourselves; yet in doing so you speak a language that is not yours alone, but the result of inner communications too swift for you to follow, involving corporal and subjective realities alike. For this reason your languages have meaning on several levels. The sounds you make have physical effects on your own and other bodies. There is a sound value, then, as apart from a meaning value.

The words you speak to someone else are in certain terms broken down by the listener to basic components, and understood at different levels. There are psychological interpretations made, and molecular ones. The sounds and their pauses will express emotional states, and reactions to these will alter the body’s condition to whatever degree.