1 result for (book:notp AND session:763 AND stemmed:pattern)

NotP Chapter 3: Session 763, January 5, 1976 6/34 (18%) personhood knowledge prejudiced Cézanne nonverbal
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 3: Association, the Emotions, and a Different Frame of Reference
– Session 763, January 5, 1976 9:28 P.M. Monday

[... 6 paragraphs ...]

It is not a matter, either, of there simply being one other category of knowledge, for there are numerous other such categories, many of them biologically within your reach. Various so-called esoteric traditions provide certain methods that allow an individual to set aside accepted modes of perception, and offer patterns that may be used as containers for these other kinds of knowledge. Even these containers must necessarily shape the information received, however. (Pause.) Some such methods are very advantageous, yet they have also become too rigid and autocratic, allowing little room for deviation. Dogmas are then set up about them so that only a certain body of data is considered acceptable. The systems no longer have the flexibility that first gave them birth.

[... 2 paragraphs ...]

Any information or knowledge must have a pattern if you are going to understand it at all. Ruburt’s own painting, his knowledge of his psychic abilities, his love of Joseph — all served to form a pattern which then attracted the Cézanne material. He received this “automatically,” writing down the words that came almost too quickly for him to follow. His craft or art of writing brought the material to clear focus. The information itself, however, had nothing to do with words, but with an overall comprehension of the nature of painting, a direct knowing. Ruburt used his own abilities as a container, then. This direct kind of knowledge is available, again, on any subject, to anyone who provides a suitable pattern through desire, love, intent or belief.

[... 4 paragraphs ...]

One level of dream life deals particularly with the biological condition of the body, giving you not just hints of health difficulties, but the reasons for them and the ways to circumvent them. Information about the probable future is also given to help you make conscious choices. You have taught yourselves that you cannot be conscious in your dreams, however, because you interpret the word “conscious” so that it indicates only your own prejudiced concept. As a result, you do not have any culturally acceptable patterns that allow you to use your dreams competently.

[... 5 paragraphs ...]

It seems evident to you that one person has one mind. You identify with the mind you use. If you had another, then it would seem as if you must be someone else. A mind is a psychic pattern through which you interpret and form reality. You have physical limbs that you can see. You have minds that are invisible. Each one can organize reality in a different fashion. Each one deals with its own kind of knowledge.

[... 6 paragraphs ...]

He could not verbalize it, nor did he have a suitable pattern to contain it. He received it, however. His painting of late is no coincidence, for he is dealing with nonverbal information, organizing data in another way, and thus activating other “portions” of the mind.

[... 1 paragraph ...]

This type of perception cannot be described until he forms suitable verbal patterns that can come only with further experience. In this, I am a touchstone. He accelerates mentally to a certain degree, and that puts him in touch with me — an additional energy source. He activates certain portions of the brain that connect it to another mind, that people do not as yet realize they possess.

[... 3 paragraphs ...]

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