“Seth material” search engine (Jane Roberts)

Any information or knowledge must have a pattern if you are going to understand it at all. Ruburt’s own painting, his knowledge of his psychic abilities, his love of Joseph — all served to form a pattern which then attracted the Cézanne material. He received this “automatically,” writing down the words that came almost too quickly for him to follow. His craft or art of writing brought the material to clear focus. The information itself, however, had nothing to do with words, but with an overall comprehension of the nature of painting, a direct knowing. Ruburt used his own abilities as a container, then. This direct kind of knowledge is available, again, on any subject, to anyone who provides a suitable pattern through desire, love, intent or belief.

He could not verbalize it, nor did he have a suitable pattern to contain it. He received it, however. His painting of late is no coincidence, for he is dealing with nonverbal information, organizing data in another way, and thus activating other “portions” of the mind.

The Cézanne material, the dream and the painting, are all aspects of another kind of perception. Your joint library experiments^* helped set the stage, as you added your encouragement. All of this will help Ruburt toward a nonverbal comprehension that will, on another level, reorganize some of his beliefs.