“Seth material” search engine (Jane Roberts)

(Sessions 760-61 were devoted to separate topics that Seth has been developing apart from his regular book dictation for Psyche.

(“I feel half massive, but half relaxed, too,” Jane said as we waited for the session to begin. “I feel an odd sense of frustration — or maybe just impatience is a better way to put it…. I think all of this psychic stuff that I’m half aware of has to be organized and expressed in our world — Seth, Cézanne, this book — so that we can make sense of the whole thing.”

(Her reference to the French painter, Paul Cézanne, involves an experience that she began just the other day. Since Seth discusses this himself in the session, I’ll let him carry on from here.)

(“Good evening, Seth.”)

(9:25.) In Seth Speaks I tried to describe certain extensions of your own reality in terms that my readers could understand. In The Nature of Personal Reality I tried to extend the practical boundaries of individual existence as it is usually experienced. I tried to give the reader hints that would increase practical, spiritual, and physical enjoyment and fulfillment in daily life. Those books were dictated by me in a more or less straight narrative style. In “Unknown” Reality I went further, showing how the experiences of the psyche splash outward into the daylight, so to speak. Hopefully in that book, through my dictation and through Ruburt’s and Joseph’s experiences, the reader could see the greater dimensions that touch ordinary living, and sense the psyche’s magic. That book required much more work on Joseph’s part, and that additional effort itself was a demonstration that the psyche’s events are very difficult to pin down in time.

In a way, of course, my own experience is divorced from that of my readers. As this information — the Seth material — is sifted through Ruburt’s experience, you are able to see how it applies to the existence that is “presently” yours.

(10:30. Seth did an excellent job of describing the conditions that resulted in Jane’s “Cézanne experience.” Specifically, though, this is what happened: Quite suddenly in the predawn hours of December 11 she began to write an automatic script that purported to come from the artist Paul Cézanne, who lived from 1839 to 1906. She has no idea whether or not the manuscript will continue “to come.” Already, though, I am struck by the insights on art and life as they are presented.

(“Thank you, Seth.”)

(At 10:55 I did ask Seth a question, which he discussed until 11:24 P.M.)