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NotP Chapter 2: Session 759, October 27, 1975 3/33 (9%) psyche perspective dead brother ant
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 2: Your Dreaming Psyche is Awake
– Session 759, October 27, 1975 9:31 P.M. Monday

[... 8 paragraphs ...]

In a strange manner I am telling you that your “life” is simply the only portion of your existence of which you are presently aware. In greater terms, you are alive and dead at the same time, even as I am. My focus, however, is in an area that you do not perceive. Again: Existences are like notes played along certain frequencies. You are tuned in to an earth song, following this analogy, but you are only following your own melody, and usually you are unaware of the greater orchestration in which you also take part.

[... 5 paragraphs ...]

Artists use perspective on a flat surface to try to capture there the feelings and experiences of depth that are, in themselves, alien to the flat canvas, or paper or board. The artist may vividly evoke the image of a disappearing road that appears to be broad in the picture’s foreground, only to turn smaller and smaller until it seems to vanish in some distant hidden point. No physical person will walk that road, however. An ant crawling upon such a canvas would hasten across just another flat surface, and be quite unaware of the inviting avenue and any painted fields or mountains.

[... 11 paragraphs ...]

If, however, you learn to know yourself better in daily life to become more fully aware even of your earthly life, then you will indeed receive other information that hints of a deeper, more supportive reality, in which physical existence rests. You will find yourself having experiences that do not fit recognized facts. These can add up to an alternate set of facts, pointing toward a different kind of reality, and give evidence for an inner existence that takes precedence over the physical assumptions. A certain kind of discretion and understanding is necessary, however. Basically the inner reality is the creative source of the physical one. Yet to some extent, the physical rules are also inviolate — at their level.

[... 5 paragraphs ...]

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