“Seth material” search engine (Jane Roberts)

Events seem to happen to you. Often it seems that you have no more control over the drama of your own life than you have over the outcome of a television program. Sometimes, however, your own dreams or inspirations startle you by giving you information that is usually not available in the recognized order of events. It becomes very difficult to explain such occurrences in the light of the plots and scenes provided by your usual mental programming. You are so conditioned that even when you sleep you try to monitor your experiences, and to interpret dream events according to the habitual frequency that you have learned to accept as the only criterion of reality. Quite literally, however, when you are dreaming you are tuning in to different frequencies and biologically your body responds to those on many levels.

(9:57.) Suppose that you turned on your television set to watch a program, for example, and found that through some malfunction a massive bleed-through had occurred so that several programs were scrambled, and yet appeared at once, seemingly without rhyme or reason. No theme would be apparent. Some of the characters might be familiar, and others, not. A man dressed as an astronaut might be riding a horse, chasing the Indians, while an Indian chief piloted an aircraft. If all of this was transposed over the program that you expected, you would indeed think that nothing made any sense.

Each character, however, or portion of a scene, would represent in fragmented form another quite valid program [or reality, in brackets]. In the dream state, then, you are sometimes aware of too many stations. When you try to make them fit into your recognized picture of reality, they may seem chaotic. There are ways to bring the picture into focus: There are ways to tune into those other quite-natural frequencies, so that they present you with a more expansive view both of the world as you define it, and of its greater aspects. Period. The psyche is not encased, in your case (amused), within a frame too fragile to express it. Only your beliefs about the psyche and about the body limit your experience to its present degree.

So, often such dreams are like programmed dramas, in that you clothe such visitations in familiar props. The same sort of thing frequently occurs when you experience extraordinary flashes of inspiration, or perceive other unofficial data. Quickly you try to make sense of such material in usual terms. An out-of-body experience into another level of reality becomes a visit to heaven, for example; or the heretofore-unrecognized voice of your own greater identity becomes the voice of God, or a spaceman or prophet.