“Seth material” search engine (Jane Roberts)

Ruburt and Joseph know that Star Trek is not “real.” Planets can explode on the television screen, and Ruburt will not spill one drop of coffee. The cozy living room is quite safe from the imaginary catastrophes that are occurring just a few feet from the couch. Yet in a way the program reflects certain beliefs of your society in general, and so it is like a specialized mass waking dream — real but not real. For a moment, though, let us change the program to your favorite cops-and-robbers show. A woman is shot down in the street. Now this drama becomes “more real,” more immediately probable, less comfortable. So watching such a program, you may feel slightly threatened yourself, yet still largely unconcerned.

Sometimes you are deliciously frightened by a horror program, for example. You may feel compelled to see how it comes out, and find yourself unable to go to bed until the horrendous situation is resolved. All the time you know that salvation is nearby: You can always switch off the program. If someone watching a gory midnight special suddenly screams or shouts or leaps up from the chair, how comical this seems, because the action is appropriate not to the “real” situation, but geared instead to a pseudodrama. The yelling and screaming will have absolutely no effect upon the program’s actors, and will alter the drama not one whit. The appropriate action would be to turn the station off.

In this case you are yourself the programmer, and the true action is not where it appears to be — in the exterior events — but instead in the psyche, where you are writing and performing the drama. In the dream state, you are writing and performing many such dramas.