1 result for (book:notp AND session:756 AND stemmed:life)

NotP Chapter 2: Session 756, September 22, 1975 5/33 (15%) drama program Trek station waking
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 2: Your Dreaming Psyche is Awake
– Session 756, September 22, 1975 9:17 P.M. Monday

[... 5 paragraphs ...]

(Pause.) Your “dreaming” psyche seems to be dreaming only because you do not recognize that particular state of awareness as your own. The “dreaming” psyche is actually as awake as you are in your normal waking life. The organization of wakefulness is different, however. You come into dreaming from a different angle, so to speak.

[... 2 paragraphs ...]

Now, names are not as descriptive. You may have a dream, however, in which you see a tailor’s shop. The tailor may be dancing or dying or getting married. Later, in waking life, you may discover that a friend of yours, a Mr. Taylor (spelled), has a party, or dies, or gets married, whatever the case may be; yet you might never connect the dream with the later event because you did not understand the way that words and images can be united in your dreams.

(9:32.) Your waking life is the result of the most precise kind of organization, held competently and with amazing clarity. While each person views that reality from a slightly different focus, still it occurs within certain ranges or frequencies. You bring it into clear focus in almost the same way that you adjust your television picture, only in this case not only sound and images are synchronized, but phenomena of far greater complexity. Following this analogy, everyone sees a slightly different picture of reality, and follows his or her own program — yet all of the “sets” are the same.

[... 5 paragraphs ...]

(9:51.) Events, then, are organized in a different fashion. Not only can you experience dramas in which you are intimately involved, as in waking life, but your range of activities is multiplied so that you can view events “from outside” your own usual context. You can look down at a drama on the one hand, for example, and participate in it as well.

[... 12 paragraphs ...]

In this case, the frightened perceiver knows full well that the terrible events on the screen will not suddenly explode into the living room. When you become caught in frightening physical events, however, it is equally foolhardy to yell or shout or stamp your feet, because that is not where the action is (smiling). Again, you have only to change your station. But often you become so engrossed in your life situation that you do not realize the inappropriateness of your response.

[... 3 paragraphs ...]

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