“Seth material” search engine (Jane Roberts)

Now, names are not as descriptive. You may have a dream, however, in which you see a tailor’s shop. The tailor may be dancing or dying or getting married. Later, in waking life, you may discover that a friend of yours, a Mr. Taylor (spelled), has a party, or dies, or gets married, whatever the case may be; yet you might never connect the dream with the later event because you did not understand the way that words and images can be united in your dreams.

In the dream state, it is as if you have a still-different television set that is, however, connected with your own. Using it, you can perceive events not only from your own viewpoint, but from other focuses. Using that set, you can leap from station to station, so to speak — not simply perceiving, but experiencing what is happening in other times and places.

(9:51.) Events, then, are organized in a different fashion. Not only can you experience dramas in which you are intimately involved, as in waking life, but your range of activities is multiplied so that you can view events “from outside” your own usual context. You can look down at a drama on the one hand, for example, and participate in it as well.

When you are dealing with normal waking reality, you are operating at one level of the many that are native to your psyche. When you are dreaming, from your viewpoint you are entering other levels of reality quite as native to your psyche, but usually you are still experiencing those events through your current “waking station.” The dreams that you remember are colored or altered or even censored to a certain extent. There is no inherent psychological or biological necessity for this. Your ideas and beliefs, however, about the nature of reality, and sanity, have resulted in such a schism.

You form certain focuses, then. You will blithely ignore certain televised dangers as sheer good adventure, while others may strike you to the heart as “too real.” So in your waking and dreaming experiences, you will make the same kind of distinctions. You will be touched or untouched by waking or dreaming events according to the significance you place upon them.

In this case, the frightened perceiver knows full well that the terrible events on the screen will not suddenly explode into the living room. When you become caught in frightening physical events, however, it is equally foolhardy to yell or shout or stamp your feet, because that is not where the action is (smiling). Again, you have only to change your station. But often you become so engrossed in your life situation that you do not realize the inappropriateness of your response.

In this case you are yourself the programmer, and the true action is not where it appears to be — in the exterior events — but instead in the psyche, where you are writing and performing the drama. In the dream state, you are writing and performing many such dramas.