“Seth material” search engine (Jane Roberts)

There would be no experience of what Ruburt (Seth’s “entity” name for Jane) calls “the dear privacy of the moment,” so if one portion of your being wants to rise above the solitary march of the moments, other parts of your psyche rush, delighted, into that particular time-focus that is your own. As you now desire to understand the timeless, infinite dimensions of your own greater existence, so “even now” multitudinous elements of that nonearthly identity just as eagerly explore the dimensions of earthbeing and creaturehood.

(Pause.) Again, rather than trying to define the psyche, I will try to incite your imagination so that you can leap beyond what you have been told you are, to some kind of direct experience. To some extent this book itself provides its own demonstration. I call Jane Roberts “Ruburt” (and, hence, “he” and “him”) simply because the name designates another portion of her reality, while she identifies herself as Jane. She writes her own books and carries on as each of you do in life’s ordinary context. She has her own unique likes and dislikes, characteristics and abilities; her own time and space slot as each of you do. She is one living portrait of the psyche, independent in her own context, and in the environment as given.

(10:20.) So Ruburt’s subjective perspective opens up because of his desire and interest, and discloses my own. He opens up a door in himself that leads to other levels of his being, but a being that cannot be completely expressed in your world. That existence is mine, expressed in my experience at another level of reality, so I must write my books through Ruburt. Doors in the psyche are different from simple openings that lead from one room to another, so my books only show a glimpse of my own existence. You all have such psychological doors, however, that lead into dimensionally greater areas of the psyche, so to some extent or another I speak for those other aspects of yourselves that do not appear in your daily context.

Beyond what I recognize as my own existence, there are others. To some extent I share in their experience — to a far greater extent, for example, than Ruburt shares in mine.

On some relatively few occasions, for example, Ruburt has been able to contact what he calls “Seth Two.” That level of reality, however, is even further divorced from your own. It represents an even greater extension of the psyche, in your terms. (Long pause.) There is a much closer relationship, in that I recognize my own identity as a distinct portion of Seth Two’s existence, where Ruburt feels little correspondence. In a manner of speaking, Seth Two’s reality includes my own, yet I am aware of my contribution to “his” experience.

In the same way, each of my readers has a connection with the same level of psychic reality. In greater terms, all of this is happening at once. Ruburt is contributing and forming a certain portion of my experience, even as I am contributing to his. Your identities are not something already completed. Your most minute action, thought, and dream adds to the reality of your psyche, no matter how grand or austere the psyche may appear to you when you think of it as a hypothetical term.

Dictation: Ruburt has specialized in a study of consciousness and the psyche. Most of my readers are very interested, yet they have other pressing concerns that prevent them from embarking upon such an extended study.

You all have physical reality to deal with. This applies equally to Ruburt and Joseph (Seth’s entity name for me). Thus far, my books have included Joseph’s extended notes. They have set the scene, so to speak. My books have gone beyond those boundaries, however. In your terms, only so much can be done in time. Joseph is even now involved in typing my previous manuscript (The “Unknown” Reality). It was written in such a way that it tied the personal experience of Ruburt and Joseph in with a greater theoretical framework, so that one could not be separated from the other.

Largely, the writing of this book occurs in a “no-time, or out-of-time context.” Physically, however, Ruburt and Joseph take many hours in its production. They have moved to a new house. Ruburt, as usual, is smoking as I speak. His foot rests upon a coffee table, as he moves back and forth in his rocking chair. It is nearing midnight as I speak (at 11:42). Earlier, a great thunderstorm raged, its reverberations seeming to crack the sky. Now it is quiet, with only the drone of Ruburt’s new refrigerator sounding like the deep purr of some mechanical animal.

That will be enough for now. End of session. As Ruburt would say: “Peace and cheers.”